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This Week in Assassin’s Creed Virtual Photography: 6th to 12th March Community Share 14 Mar 2023 Written By: Edited By: Aaron Young Ashlea Blackett Back To Database Welcome to the weekly virtual photography roundup hosted by Aaron Young from The AC Partnership Program. Every week I will be picking our top 5 favourite Assassin’s Creed shots and showcasing them on The Ones Who Came Before website, in order to promote virtual photography and talented content creators within the community. Aaron is a keen virtual photographer and loves to post his journeys through Assassin’s Creed on Twitter. Keep an eye on the site as more weekly shots are added, we are looking for captures across all Assassin’s Creed games. Tag your photos to the #TOWCBWeeklyCapture for a chance to be featured. This week’s theme: Assassin’s Creed The Battle Game: Assassin’s Creed Odyssey VP Artist: @ coalabr14 This week’s showcase begins with an epic battle shot from Odyssey. I am really enjoying the mood of this capture. It has a very cinematic style and reminds me of the Gladiator movie. Kassandra looks like a true warrior, deflecting the Athenian shield while her sword is on fire. I wish these battles were in Valhalla. Would have been great to be part of a shield wall. Link: https://twitter.com/coalabr14/status/1632687287137103873?s=46&t=rIujpeSq9644fgpRWA_xMA The Ones Who Came Before Photo of the Week: Judge - Colum Blackett ( Col_96 ) from TOWCB Core Team I love how Kassandra and her flaming sword take centre stage in this shot, captured during one of the large-scale battles which Odyssey recreated so well. For me, this shot looks good enough to have been an official promotional image for the game, and uses colour particularly well to create an atmosphere. Kassandra almost certainly executed her attacker moments later. Surprise Game: Assassin’s Creed Valhalla VP Artist: @ m_nt_13 A bit of comedy for our second shot this week. This capture just brings a smile to my face. My daughter does the same thing to me if I don’t pay her attention. All jokes aside this shot is fantastic, it is the perfect mix of timing and positioning. I applaud m for originality here, really brings something quirky and different to our VP showcase. Women of the Creed Game: Assassin’s Creed Valhalla Platform: PS5 VP Artist: @ Amaya_Nocturna It was International Women’s day on Wednesday and what better way to celebrate than this beautiful capture of Eivor. I am always a sucker for black background shots, I feel it elevates the subject so well. The lack of colour in general here adds to a vintage feel that compliments the classic Assassin look. This shot would make a stunning phone wallpaper. Enter the Creed Game: Assassin’s Creed Valhalla VP Artist: @ Virtual_Polly Valhalla often receives criticism for its lack of Assassin’s, however I enjoyed exploring the hidden Bureaus. This shot certainly shows off why they are such a delight to uncover. I like the angle of this capture as it encompasses the fiery Assassin symbol with Eivor stood in the centre. I love the shadow work, especially Eivor’s. This photo is full of mystery and intent, and it makes me want to fire up the game again. Edward Kenway Game: Assassin’s Creed Valhalla VP Artist: @ FrameHoldPhotos I had to end this week with a celebration of everyone’s favourite Pirate. It is very much a pirate’s life for this seafaring Assassin. Edward brought about a change to the formula and the reception was favourable. I love this capture, a beautiful celebratory shot in the modern format. The sea, sand, outfit and sky are a pleasure to look at. Happy Birthday Edward Kenway! Link: https://twitter.com/frameholdphotos/status/1634255117544202257?s=46&t=rIujpeSq9644fgpRWA_xMA And that sums it up for this week’s Assassin’s Creed virtual photography recap list! Thank you for checking out this week’s photo collection. This would not be possible without the virtual photographers out there so a huge thanks to them. Until next week keep those shots coming in! comments debug Comments Write a comment Write a comment Share Your Thoughts Be the first to write a comment. About the Author Aaron is a passionate Assassin's Creed fan who joined our AC Partnership Program as an Online Article Writer back in 2021 after the release of Assassin's Creed Valhalla. After building momentum and interest on TOWCB website for Virtual Photography, Aaron established TOWCB Virtual Photography Team, of which he is now Team Leader. Throughout 2024, TOWCB VP Team will be sharing community captures in dedicated articles, and providing a positive environment on Twitter for gamers to share their shots. Aaron Young

Best Quotes in Assassin's Creed Odyssey Share Written By: Edited By: Reporter Name Back To Database Welcome to a new series written by TOWCB Team, outlining our favourite quotes from the franchise. For some, Odyssey is a controversial game for numerous reasons, such as the decision to introduce two playable characters, or even the fact that is set before the time of Assassin's Creed Origins, making it a prequel to a prequel. That said, the game still has a dedicated following. It is unapologetic, and plays around with a new brand of fun different from anything else we have seen in the franchise, focussing on player choice and dialogue options. Fans love Kassandra and Alexios, so for the quotes selected below, we have gone with the canon version of events to avoid confusion. ''I was protecting my brother because you wouldn't!'' (Kassandra) Edit and VP by Turið Torkilsdóttir comments debug Comments Write a comment Write a comment Share Your Thoughts Be the first to write a comment. About the Author This is placeholder text. To connect this element to content from your collection, select the element and click Connect to Data. About the Author

Mentor Memories: Remembering the Mentors Guild In Memoriam Share 19 Jul 2022 Written By: Edited By: Colum Blackett (Col_96) Ashlea Blackett Back To Database Just before the unexpected closure of The Mentors Guild program, members of the Assassin's Creed community shared their favourite memories in the now deleted Discord server, all of which we saved just in time. A huge network of AC Community members came together to reflect on their fondest moments and accomplishments. In Part one of this two-part series, we share with you some of those wonderful memories so that TMG is never forgotten. Many members of the Mentors Guild (TMG) have now been moved across to the Star Player 2.0 Program, which is set to be bigger and better for community members, increasing opportunities by merging several Ubisoft community programs together. It's clear that TMG meant a lot to the AC Community, and its closure leaves a huge gap. We here at TOWCB will miss The Mentors Guild, especially what it became in its later days, where it opened the doors to hundreds of community members around the world, but we also look forward to seeing what comes next with the creation of the Star Player 2.0 program, which will hopefully be just as rewarding for content creators and community members. LOADING FIRMWARE..... ANIMUS 2.02....... MEMORIES SYNCHRONISING...... Memory by Kim Beacham from Assassin's Creed United Kingdom ''I have started getting voice actors from the AC series to sign my Mentors Guild T-shirt that we got last year with their favourite quotes or character names. Only a few weeks ago added to it, were Nolan North (Desmond Miles) and Matt Ryan. I'm going to get it signed by as many Assassin's Creed voice actors as I can by attending events and cons to then frame it once full, front and back!'' By Dave Woodward from Assassin's Creed United Kingdom My fondest Mentors Guild Memories. ''Getting the opportunity to represent the AC brand through The Mentors Guild and wearing the t-shirt with pride, and letting people in our amazing community know what TMG is and what we do as fans. I got to meet the amazing members of our community. I was invited to London to see the AC Symphony and had the opportunity to go an amazing tour of London with my fellow UK member, enjoying the scenery and the company. To top the evening off, through TMG, an Assassin's Creed meet-up in a local pub was arranged before the start of the London premier of the AC Symphony, which saw Alexios himself, Michael Antonakos as a surprise guest, which made everyone attending really happy. Being able to see the AC Symphony live was something which I'll never forget. Also through myself and our Mentors in the Assassin's Creed United Kingdom group, we arranged several cosplay meet-ups which saw members of our community attending and getting the chance to meet the stars of AC franchise such as Matt Ryan (Edward Kenway), Abubakar Salim (Bayek) and Paul Amos (Jacob Frye).'' 13/7/22: '' Today marks the sad day that the Mentors Guild program will close after 5 years, I am truly grateful to have been apart of this program for the last 2 years, thank you to the Com Devs for everyone you've done Looking forward what we can do in the Star Player 2.0 program'' Memory by Louise Chase (TheNerdyArcher) from Assassin's Creed United Kingdom ''I think the Weapons Workshop last year was so much fun and it was great to work with some of the other Mentors! Also it got me set on the idea of making prop weapons and cosplay so I have it to thank; maybe one day I'll reveal the final piece.'' 'So you've seen the Mentor's Guild weapons which will be added into AC Valhalla - but what about the other concepts? Presenting: Viggo's Brandr'' Memory by Declan from Let's Talk Assassin's Creed ''I had no idea what to send at first but then I remembered this moment that still makes me laugh. Attending a Discord call with the epic UK Mentors in my blanket as I had Covid, and now it's become standard for me to arrive in any Discord Call wearing the blanket.'' ''I learned a lot from The Mentors Guild and made a ton of amazing friends and I hope to continue to do so with fellow Star Players'' Memory by Siobhan from Assassin's Creed United Kingdom ''So many memories to chose from! Up in the top few moments would definitely be getting our Christmas Jumpers'' ''Absolutely delighted to announce I've been invited to join the Star Player 2.0 programme! I've had a blast as part of the Mentor's Guild so I'm really looking forward to where this leads. Thank you @Ubisoft_UK and @Assassins_UK for this amazing opportunity.'' Memory by Anastasia Neuer ''I've always really liked the modern-day storyline of AC and it's a huge inspiration for my art. The majority of my AC art is dedicated to modern-day characters and Sofia Rikkin in particular. This fan art of her is the most important one for me. I want modern-day characters to get more recognition within the AC community and I'm so happy to be a part of the Mentors Guild for the chance to share my love for these characters with more people.'' Memory by Mikael from Assassin's Creed France ''Shortly after the official release of Assassin's Creed Valhalla, we were offered a pack with several objects including the French press kit and the AC Valhalla face masks. It was a great moment. We opened our packages at the same time on a video call. I loved seeing the reaction of my Mentor friends when they opened and discovered their package. Fun fact: I had fun putting the AC Valhalla mask on my life-sized statue of Arno'' Memory by Kangarrru (Valorianru) Although I've only been with the guild a short time. It's been an incredible privilege. I'm from a small town outside Melbourne so the opportunities in gaming are few and far between. Joining the Guild was the biggest opportunity I'd ever received. The Guild encouraged me to create, to make new friends and engage with a community. TMG got me through the longest lockdowns in the world and gave me a support network across the world. Being able to talk with people who love something like I do. It's been an incredible opportunity and I wish I had the headspace to express just how something like this has meant to me. Thank you to all the Ubisoft team and thank you to each and every Mentor. Safety and Peace. Gratitude by GronnUlv ''Thanks to Ubisoft for their support, nothing like this has ever happened in my life before. Thank you so much for this opportunity to be a part of the Mentors Guild. I'm sad that I didn't have the opportunity to do more. But I hope that someday in this life something will get better and I will be able to return to drawing fanarts for Assassins Creed. Still, this universe occupies an important part of my life and without it I wouldn't have met many wonderful people'' We would like to say a huge thank you to all the Mentors who shared their touching stories. Do you have any Mentors Guild Memories you would like to share? Get in touch with The Ones Who Came Before ( @ACFirstCiv ) on Twitter to be featured in part 2 of this mini series dedicated to The Mentors Guild! comments debug Comments Write a comment Write a comment Share Your Thoughts Be the first to write a comment. About the Author Col is one of the UK's leading Assassin's Creed Community members, and is best known for establishing both 'The Ones Who Came Before' fan community and 'Isu_Network' content creation program. As Team Leader for The Ones Who Came Before, Col was officially recognised by Ubisoft, becoming one the UK Assassin's Creed community ambassadors in 2016. He has attended many events after spending a decade in the AC Community, and has worked on countless projects, all of which you can find here on TOWCB website. He is also a former Ubisoft Star Player and member of The Mentors Guild, two recognisable community programs which opened doors and took his status within the AC Community to the next level. Colum Blackett (Col_96)

Interview with Kate Heartfield Author of Assassin’s Creed: The Magus Conspiracy Interviews Share 8 Jul 2022 Written By: Edited By: Michael Smith Ashlea Blackett Back To Database Kate Heartfield is a multiple finalist for Canada's Aurora Award. A Sunday Times Best Seller (The Embroidered Book). A former journalist and editor for the Ottawa Citizen, with a degree in Political Science and Masters in Journalism. Her latest release is Assassin’s Creed: The Magus Conspiracy, the first book in The Engine of History Trilogy. You can read our review of her book at the link below and read further for the interview she and I had during her press tour with publisher Aconyte Books. Michael: Kate, How are you doing today? Kate: I'm doing great. Very happy to be here. Michael : I wanted to start with something you had said in an interview you did with Second Life Book Club about Assassin's Creed being bid in your household. Can you tell us more about the history you have with the series? Kate : Yeah, for sure. I'm just so happy to be talking about it and thank you so much for your enthusiasm and support. It’s really exciting to be talking with fans about this and joining this cannon. As you can tell, I'm excited. I have a lot of enthusiasm for the games and for the universe. So my personal history with Assassin's Creed is that I have a twelve year-old kid and a partner and all three of us are gamers. So we are quite frequently in our introvert corners of the house on a game of some kind. I've played Syndicate, and I've played a little bit of Origins and I am currently working my way through AC2 at the moment. I've watched my kid play even more Assassin's Creed. So there have been many, many hours where I've been sitting in the living room, doing some work and he's been playing Assassin's Creed on PS4 and my partner also plays and I watch him sometimes as well. So, between the three of us I've probably at least watched most of the games being played. Michael: It’s funny you note about playing through Assassin's Creed II. You also did some work with Choice of Gaming with the Magician's Workshop. Have you found any influence for the writing that you did with that from Assassin's Creed II, or vice versa? Have you noticed a lot of your personal choices for how you describe the characters, or the historical figures with how they [are] represented in Assassin's Creed II? Kate: I hadn't played Assassin's Creed II before I wrote The Magician's Workshop. So, I didn't have a connection from that direction. But it's interesting now having written it, because The Magician's Workshop is set in Florence in 1512. It's really interesting now, seeing the characters and that setting. And one of the things I love about all Assassin's Creed games is the immersiveness of the setting and feeling you're there in a way that interactive fiction kind of coerces you in a different way that emphasizes agency and everything else, but it doesn't have that visual element a video game has. Michael: How do you decide what mechanics to include, or write about, that were in the games? Kate: Yeah, that's really interesting, and it was definitely deliberate strategy on my part to think, "Okay, how can I take what's cool about playing Assassin's Creed games" and not really replicate that in prose, because it's not the same format, but create that same sense of excitement and same sense of immersion and the choice of having sort of side quests and multiple plots happening at the same time, and it all coming together. So, I thought about, I didn't want to make it too mechanical either as that can be quite annoying in prose if you had sort of "Here's my weapon's inventory". It wouldn't work the same way in a novel as the game. So in fact my editor had to pull me back a few times, because he noted that I would keep saying exactly what kind of knife it was or what kind of gun it was, and that kind of thing. And eventually "You don't have to give the entire serial number, everytime". So I had, maybe a little too much of that in mind. I was thinking about all of those aspects of a game and... You know I did want things like weaponry to be there though, and to be important to think about how can they reflect the personality of each of the main characters? Like which kind of knife would they choose, for example. In the same way that you make that choice when you are putting together your character in a game. So that was definitely top of my mind. Michael: Would you say that is the same thought process that you had when choosing which books for Simeon, specifically to study while he was going through his apprenticeship? Did you specifically pinpoint those books that you wanted him to read? What was your process with that decision? Kate: That was lots of fun. I think what I wanted to do with the reading list that Simeon has... So Simeon is the main character, one of the two main characters in the book. He's a soldier, and he has a sort of a unconventional education. We learn early on that he was quite bright, and taken into a rich person's house early on to be educated, but it didn't work out. So he has a sort of a patchwork of an education. Then he meets his mentor, who an interesting character in his own right. So the reading list, [the] books that Kane provides Simeon to read, I wanted them to reflect what I though an Assassin's education should be, or could be about. So its sort of a mix of different things. You have very traditional fighting manuals, these traditions of German and Italian and French manuals for swordplay and for wrestling. I thought it would be really cool to draw on that really old tradition, because the brotherhood itself would have been around for so long and they might have incorporated those traditions of those old fighting manuals. But then also, a sort of renaissance man approach to understanding the world. So there's fiction in there, there's philosophy. It is a bit of a grab bag of different things that I though an Assassin should know, but its also reflecting the personality of the teacher that's assigning them as well. Michael: When you're deciding the history that you want to explore, where you taking the "This is the historical timeline for this period, and then here are some blanks I can fill in fictional characters", or was it more of "Here is the idea of what I want to do. Let me find what period, or what events in history would fill into this"? Kate: For us it really started with the period. Aconyte and Ubisoft had an idea that they wanted a trilogy set in this period. So they started working with me about, "Well how could we develop something in this period, and what are some of the things that would interest us in terms of the Assassins and Templars are up to at this time?" So we did start with sort of a basic idea of the time and place. That it would be probably Europe and in this time. I think one of the things that really stood out, I know to my editor at Aconyte, was that the 19th Century had a lot of political assassinations. That every monarch had at least one attempt on their life, several of them were actually killed. You had the rise of anarchism and the rise of Marxism and the revolutions in 1848. So there is just a lot of political ferments happening. With those assassinations, it seems like an obvious thing to ask the question of "Are the Assassins behind them? Are they not behind them? What would be their relationship to the brotherhood and to the Templars?" So it really did begin with that question of "Okay, lets look at what's happening at the time". Then from there it was sort of finding different elements in the history that I thought kind of fed in thematically to what I wanted to talk about. Also, there was a little bit of that sense of, that's another thing that people love in the games, is the opportunity to have those cameos with historical figures and interact with those people. So, that's another thing I wanted to replicate in the novel. Michael: Did Aconyte approach you directly about this, or was this something you had to apply for? Kate: It came about through my agent, so it was one of those things where my agent knew the opportunity was there, and thought I might be a fit for it because I've written a lot of historical settings and I'm really interested in historical alt history and that kind of writing is typically what I do. And, I have a little bit of background in interactive fiction and game writing as well. So she thought, yeah this seems like it would be a good fit for you. If you're interested. So at that point, I developed some pitches for Aconyte and they liked them, and they started working on an outline, and back and forth on that a bit. So it really was sort of a collaborate process right from the beginning. Michael : Did you collaborate with the Ubisoft team, The game historians and such to work along with fitting this into the Assassin's Creed Universe? Kate: It was really... I haven't written tie-in writing like this before for any property, and so I wasn't sure what to expect in that regard. I found it really wonderful and freeing and supportive, the way that that works. They would sort of provide information and say here's where you can find the things that you need to know. Here are a few things that we want to makes sure that you're aware of, in terms of writing. But I was already quite familiar with the universe anyways, so that part of it I felt pretty confident in. Then it was just a matter of, when we would work on an outline or the manuscript itself, just running things past Ubisoft at various stages of the process to make sure there was nothing that I was unaware of that would step on somebody else's toes, or something like that. I would kind of flag little things, "Please not this part of it is related to canon from another game" or something like that people would be aware I was throwing in those Easter eggs, or whatever. Michael : I know that you're very big on representation in your writing. Were there any original characters that you had added for some form of representation in a game that's very heavily marketed towards a more male audience? Kate : It is something that I think about in every stage. So I try to keep it in mind all the time. There is always a little bit of tension between the don't want to write outside your lane, or write things without thinking that you haven't properly researched, or haven't done the homework for and that kind of thing. So, I'm conscious of that as well. I am trying to represent all kinds of people in my writing and consider the kinds of people who have been present throughout history, but maybe haven't had as many stories told about them. I again felt nothing but support from Ubisoft and Aconyte in that regard as well. Definitely I was aware that with gaming in general there's, I wouldn't say maybe the majority but certainly a significant male audience. I have a strong female character in this book. There's one sort of minor side character who is non-binary, although they wouldn't have that word to describe themselves probably in the 19th Century. But they are actually based on a small note about a circus performer I actually found that "Ah, I'll steal that from history". There is a circus performer who is billed with being "neither man, nor woman". I thought, "Okay, they're going in the book." So when I do find those things in history, where people have maybe not, have been forgotten a little bit, I'll be "Okay, I'll put them in the book" and that way we can have a little bit more of a complete representation. Michael: Have you had a chance to look at any of the other transmedia that Assassin's Creed has put out yet? Kate: I have, not all of it by any means. I got myself a few books, a few of the novels, because I wanted to get a sense of what an Assassin's Creed novel is like. I think I have two of the Oliver Bowden novels and I have Elsa Sjunneson's novel that just came out; Sword of the White Horse. So I've read a few of the books. I've taken a quick look at, I'm trying to remember which of the graphic novels it was. But, yeah, I've been aware of a few things, but I feel like there is a lot out there that I haven't seen yet. Michael : Are we expecting to see some modern day later on in the trilogy or are we staying specifically in the historical setting? Kate: Not everything's written in stone yet. So, I don't want to say for sure "this is how it'll be". The conversations I've had with Aconyte so far about the rest of the trilogy are that it'll be historical setting and sort of carrying on the story from the first book. Yeah, I don't want to say too much about it, because I don't want to scoop announcements that are coming fairly soon. That's how its envisioned is definitely to maintain that historical period. But I think its interesting because its a fairly recent historical period, so it has the potential to bring us up into the 20th Century, and start thinking about things like the Animus, and how we get to that. The door's kind of open there in some regard, but so far, no plans to write about the modern period. Michael: The trilogy for the Engine of History is set to go up through the beginning of World War I, is that correct? Kate: I think that's out there in the internet somewhere. So I think its within the bounds of what I can say yes to. And that's first how it was kind of envisioned when I talked about how they came to me with this period. That was kind of the vision, mid-19th Century to World War I, in that period some how. Michael : Are you avoiding well known periods in that time frame like Russia during World War I with Rasputin? Is that something you look at trying to avoid in depicting other historical settings that people may not know a lot about? Maybe telling more about the Crimean War or things like that? Kate: It's always a little bit of a dance, because sometimes there are interesting stories in the parts that haven't been told as often. So there are things that draw me to them, but then at the same time, there's a lot of value in having some familiar touchstones that people can say "Ah yes, I was waiting for this person to show up!" or something like that. So there's a sense of, you kind of have an expectation to a degree. I wrestled with that a little bit, with my novel The Embroidered Book, because that's a historical fantasy about Marie Antoinette. My first thought when I had the idea was, "Oh my God, Marie Antoinette's been written about so many times", but not in the way that I did it. There's only so much room for one of those big well known historical figures. I kept thinking, Catherine the Great is off to the side in this book and I can't really let her on, because then she would take over. So, there's only room for so many of those well know events and figures. I think the same is really true in The Magus Conspiracy. We have Ada Lovelace at the beginning, and she is not as well known as she should be, but she's fairly well known. Being Lord Byron's daughter, she's kind of a celebrity. So she takes up a lot of room in that way, and she looms over the entire novel, in her legacy. So, there aren't that many other historical figures that are known to that extent for the rest in the book, and the few people that do crop up tend to be a little bit less well known. Unless they are walking on for a small part like the Emperor in Vienna. Michael: Do you have an audiobook version coming out? If so, who is actually doing the recording for it, if you are able to say? Kate: It is Recorded Books. I'm trying to remember the narrator's name. It's just gone out of my head. Anyway, if you look it up, there is a Recorded Books version. I believe it is slated to come out August 16th. Which is the same day as the US paperback. Its available through Audible, Libro, and all sorts of places. Michael: I know from some of your previous interviews, you noted how nervous you were working with this tie-in for the first time. How are you feeling now after all the feedback you've received? Kate: Really great. Really relieved. Its nice that the initial feedback from people who know and love the games has been really positive. That's really nice to see. Of course, reviews are for the readers and not the authors, so I try to separate myself from them to some extent. It has been really nice, the things that people have tagged me in, and said directly to me about the book. Its really gratifying that people have welcomed it into the canon, and see how it fits in. Because its a little bit nerve racking, coming into something that's so beloved and so wide spread. That so many people have played these games. Timidly knocking on the door and saying "Here's my offering". You hope that it's okay and that you don't break anything. I feel it's been a great experience to write this story and I feel a lot of ownership over it. Even though it's an Assassin's Creed story, I feel very proud of it and how it worked out and sort of blended together what I like to do in fiction and what I think the game universe does so well. Michael : Who would be your ideal casting for your main characters? Kate: Oh my goodness, I haven't even thought of this. Who would be good? I'm trying to think. I don't know. I have such... I'm terrible when it comes to casting actors. I'm trying to think if there is anyone who is really... I can't think of a Simeon. Although I feel that there could be the perfect person and I'll think of them as soon as I hang up this call. With Pierrette, I don't know. She starts out quite young. I mean maybe, Millie Bobby Brown. I started watching Taboo which has Tom Hardy in it. He's so good. He plays a returning sailor of roughly the same time period. But I think he's got kind of an edge to him. I see Simeon as, even though he is kind of closed down, and somewhat cynical. He's got sort of a spark of innocence in him as well and a spark of really good will. So I don't know, maybe someone like Andrew Garfield, maybe? I'll wait for the fancast, because someone will have a better idea. Kane would be fun to cast. I want to thank Kate for sitting down with me over this interview. For the full interview, check out the video that we recently posted to The Ones Who Came Before YouTube channel. Assassin’s Creed: The Magus Conspiracy is available digitally and in the US as a paperback in August. The UK will see the physical release in October. comments debug Comments Write a comment Write a comment Share Your Thoughts Be the first to write a comment. About the Author Mike Smith is a collector of all things Assassin's Creed and a major supporter of transmedia who joined TOWCB as a writer from 2021 - 2024 With nearly a full library of Assassin's Creed media, his work explored the universe in order of Genetic Memory. Notably, his Assassin's Creed Timeline became an essential tool for fans of the franchise looking to complete their collection and consume AC media in a particular order. Michael Smith

Assassin's Creed Animus Hub Teaser Analysis Theories Share 26 Jan 2025 Written By: Edited By: UbiCypher (Joe) Colum Blackett Back To Database Welcome back! The embargo has been lifted and Assassin's Creed: Shadows is getting closer, the Story Trailer finally gave us some insights on what's to come. However I found something....Interesting. Buckle up. The Animus Hub trailer may be hiding something big. It may be something or it may be NOTHING at all. One thing is certain. I don't believe in coincidences and this is a huge one at that, dating all the way back to the holographic map showing the locations of Temples in AC1 & AC II. 1) Not an IP. You'll see what I mean. At the 1:47 mark, the video is almost reaching its conclusion with a summary of what we have just seen with four slides, one of them concerning the Projects. Well, if you pay attention to that slide in particular you can observe sets of numbers: 252.270.168.021. I thought it was an IP at first glance since Ubisoft is no stranger to ARG's and social engagement through complex Cyphers and puzzles. However, it isn't as IP's are composed of 4 numbers (Octets) oscillating between o and 255 thus 255.255.255.255 and 0.0.0.0. So that's not it. 2 ) Not a coordinate -at first- . This gets intricate. Well, since Ubisoft has already teased us with coordinates regarding various locations in the past ie: The Great Temple, I thought I could see if by arranging the numbers in way that they can be identified as Latitude and Longitude and to my surprise. It worked! I split 252.270 into 25º 2' and 70'' and 168.021 into 16º 8' 21 " and let ChatGPT do the rest by converting the numbers into Coordinates applying the DMS conversion system (Degrees, Minutes, Seconds) by arranging the numbers, adding overflow to minutes. Gibberish aside, the results were rather exciting! After the DMS conversion, the values turned to this: 25º 2' 70''-> 25º3'10" Since the second number was within 0 to 59 for minutes and 0 to 59.999 for seconds, no conversion was required thus simply being 16º8'21". So the final set of coordinates should be: 25º 3' 10"N, 16º 8' 21"E (Assuming Hemispheres). 3) A shocking revelation. It was for me at least. Well, the coordinates send you right in the middle of nowhere, but that middle of nowhere is 2000KM away of an Isu Vault. Most specifically, the one marked in the Apple Of Eden's map in ACII that corresponds to modern Lagos. While the coordinates redirects us to Libya the marker is really close to the frontier of Niger and Chad, which, are in turn next to Nigeria where the Temple is. But there's more. 4) A pattern . Maybe. There is another number, barely visible, but visible. 021".168".270"252"-> 21º16'8"N - 0º27'52"E. Approximately 1,163.7KM from another site, although in South Eastern Asian territory this time, matching the description of the Vault marked between Cambodia and Vietnam. As I said. Coincidence? Twice? I honestly don't know. But one thing is sure. It's weird. 5) What could this mean? It is but speculation from here on; One thing is certain, two coordinates, although not on the same spot, incredibly close to Isu Temples nonetheless, this can make oneself wonder. If this is just a coincidence. Well, so be it. If it isn't however. Is Ubisoft attempting to tell us where the next games will be? Are those sites having some importance in the upcoming Modern Day Story? I have no idea. This I will leave here for the community to solve. 6) Modern Day Sneak Peek. Besides this fun puzzle solving reminiscent of the old days, There is already a few things that we can figure out in relation to Modern Day from the trailer. An operation taking place in Marrakech looking for a merchant named Chafiq Elharar. Joel Eastman , an investigator (possibly) is looking for this merchant in Jemaa El Fnaa a square home to a bustling market place in Marrakesh, Morocco. No date is given, no names besides these two and that of the operatives of Abstergo Industries (possibly) Hamza and Idrissi. Joel is actively looking for Chafiq Elharar and makes contact with him, giving him a piece of paper that he refuses, the paper in question seeming important. And important it may be, as Hamza and Idrissi are monitoring this merchant that suspects being under surveillance. It looks like this information is found via the Data Files unlocked in the Project 1: Legacy. More to come soon it seems. One last thing though, there is this new thing called Animus EGO and the way they talk of the Animus almost in a cult-esque way, even "Follow the Trail and we will be in touch". - "Paths to mindfulness". Whatever that means. Many questions and no answers. Exciting nonetheless! So far this is everything, nothing more to add. Could this possible Animus Hub Easter Egg link AC SHADOWS to AC II? I believe it is a good chunk of info that we can begin to digest as it clearly gives us a taste of the future of the franchise, so the rest is up to you folks. This is it for today! Stay on the lookout for more lore. Subject 16 Glyphs Thread Coming soon. Stay tuned Assassins! Reddit Thread Article adapted from the Isu_Network X thread comments debug Comments Write a comment Write a comment Share Your Thoughts Be the first to write a comment. About the Author UbiCypher (Joe) is an Assassin's Creed Transmedia expert who worked as the Lead Admin for the Isu_Network social media team, providing consistent social media content in the form of Assassin's Creed lore trivia, puzzles and news coverage, spending countless hours researching the series and real history. In 2025, he stepped back from his social media duties to pursue other opportunities. UbiCypher (Joe)

This Week in Assassin’s Creed Virtual Photography: 13th to 19th November Community Share 22 Nov 2023 Written By: Edited By: Aaron Young Colum Blackett Back To Database Welcome to the weekly virtual photography roundup hosted by Aaron Young from The AC Partnership Program. Every week I will be picking our top 5 favourite Assassin’s Creed shots and showcasing them on The Ones Who Came Before website, in order to promote virtual photography and talented content creators within the community. Aaron is a keen virtual photographer and loves to post his journeys through Assassin’s Creed on Twitter. Keep an eye on the site as more weekly shots are added, we are looking for captures across all Assassin’s Creed games. Tag your photos to the #TOWCBWeeklyCapture for a chance to be featured. This week’s theme: Minimal Desert Traveller Game: Assassin’s Creed Origins VP Artist: @ NIKOOO_WOLF “I cannot shed my past like a snake sheds its skin.” The foundation of Assassin’s Creed Origins is the setting. Egypt was highly coveted at the time and the announcement we would finally be going there in 2017 was a dream for many fans. This beautifully minimalistic shot of the desert not only fits the theme but also represents Bayek’s home. I adore the different colour tones on show here, and how they are split into sections. The sun is extremely powerful at the centre and the shadow work at the bottom allows for an elegant silhouette of Bayek on his camel. A remarkable capture that would look exquisite hung on the wall. Link to set: Backflip Game: Assassin’s Creed Mirage VP Artist: @ tn_taurus “We are what we choose to be.” The essence of the creed is often shown through moments within the games. One of those that will always be iconic is the leap of faith. I think the move itself is even cooler when performed as a backflip. It just adds to the danger and shows the faith of the Assassins. Here we have a fantastic action shot of Basim leaping from a vantage point. For me the minimalism is on point with that beautiful blue sky dominating the shot. Having Basim in the white robes makes for such a classic Assassin’s Creed feel. Excellent timing and composition from Julio. Link to set: Balance Game: Assassin’s Creed Mirage VP Artist: @ Cll3ar “The training is nothing. The will is everything.” If there is one thing I wish we had more of in Assassin’s Creed Mirage, it would be street thief Basim. It was so fun to play as him in the early stages of the game. I was getting real Batman Begins vibes from the prologue, especially when sparing with Roshan. This shot is so minimal and clean, the colour tones are on point and the composition is exceptional. Raven is always so good at taking shots I haven’t seen before. Be sure to check out the whole set using the link below, together they make for a truly remarkable selection. Link to set: Guardian Game: Assassin’s Creed Mirage VP Artist: @ _Liamism_ “You either die a hero, or you live long enough to see yourself become the villain.” The Harvey Dent quote above fits Basim perfectly. One of the reasons I fell in love with this glorious series is the links to media such as Batman. The whole vigilante protecting their city and fighting injustice is a real draw for me. This capture is exuding Dark Knight vibes, in fact there is a scene in the movie that isn’t too dissimilar. I adore the lighting and details of this shot, the brilliant white background helps to elevate Basim and the wooden structure. Everything is so clean and crisp, I definitely think this is one of my favourite Mirage captures. Longship Game: Assassin’s Creed Valhalla VP Artist: @ playpausephoto “We can raise the sail here Eivor.” Vikings are raiders, but they were also adventures capable of crafting excellent longships to cross the seas and find new lands. They are often branded as violent and bloodthirsty but actually they were just trying to seek a better way of life. What better way to showcase minimal than a Malin Valhalla shot. The black and white contrast is so eye catching, I did have the pleasure of seeing the colour version too which is equally beautiful. I think what makes this shot so special is the negative space, capturing half the longship was such a genius idea. This is such a striking capture and fully deserving of capture of the week. The Ones Who Came Before Photo of the Week Judge: @ cop_filip I am a fan of the unique top down view and how it works with the stark black and white contrast. The oars are like needles piercing into the dark unknown, almost like a phalanx. There is an excellent use of negative space that introduces a veil of mystery, and an entirely new graphic aesthetic to the image. It all works together beautifully to create a truly striking and unique Image. A simply spectacular capture. And that sums it up for this week’s Assassin’s Creed virtual photography recap list! Thank you for checking out this week’s photo collection. This would not be possible without the virtual photographers out there so a huge thanks to them. Until next week keep those shots coming in! Interested in Assassin's Creed Virtual Photography? Share your shots in our Twitter community for a chance to be featured in our weekly VP selection articles! comments debug Comments Write a comment Write a comment Share Your Thoughts Be the first to write a comment. About the Author Aaron is a passionate Assassin's Creed fan who joined our AC Partnership Program as an Online Article Writer back in 2021 after the release of Assassin's Creed Valhalla. After building momentum and interest on TOWCB website for Virtual Photography, Aaron established TOWCB Virtual Photography Team, of which he is now Team Leader. Throughout 2024, TOWCB VP Team will be sharing community captures in dedicated articles, and providing a positive environment on Twitter for gamers to share their shots. Aaron Young

Deciphering the Secrets of the Assassin’s Creed: Shadows Marketing Campaign Breakdown Share 14 May 2024 Written By: Edited By: ActualSpider-Man Edenoi Back To Database The Assassin's Creed Red marketing campaign has finally begun, teasing the release of the Official Cinematic World Premiere Trailer , which will launch 15th May 2024. Eagle-eyed fans were quick to spot a series of numbers hidden within promotional images, and the hourglass in Osaka promo video. Here are the findings by TOWCB Team members ActualSpider-Man and Edenoi . Code 1: A pattern and key found on the Ubisoft website 1 2 3 4 5 6 7 8 9 1 カ セ ゾ ノ ョ ソ ィ ゴ ケ 2 ム 。 ギ マ ブ ジ リ 〜 ゥ 3 ン ヅ タ ユ レ ア ビ ョ コ 4 ヌ ロ オ ヂ ヒ ォ イ ニ ホ 5 ル ・ ツ ウ ー ラ デ ッ ハ 6 ネ サ ミ ボ ワ エ メ テ ド 7 ス ゲ ガ フ ゼ ェ バ ヤ ュ 8 チ 、 ベ モ ザ ナ ト ※ シ 9 ズ ァ ク ダ ヲ キ ャ へ グ Numbered pairs are deciphered columns 1st, rows 2nd to find the correct katakana: 62 11 13 95 43 45 27 13 ジ カ ン ハ ユ ウ ゲ ン Ji Ka N Ha Yu U Ge N 時間 は 有限 Time is limited 11 91 65 95 16 85 78 56 55 39 84 18 72 77 76 65 53. カ ケ ラ ハ ネ ッ ト ワ ー ク ニ チ リ バ メ ラ レ Ka Ke La Ha Ne T To Wa - Ku Ni Chi Ri Ba Me La Re 欠片 は ネットワーク に 散りばめ られ Fragments are scattered throughout the network. 17 68 96 91 74 95 94 45 98 97 45 41 11 32 78 68 15. ス ナ ド ケ イ ハ ホ ウ シ ュ ウ ノ カ ギ ト ナ ル Su Na Do Ke I Ha Ho U Shi Y U No Ka Gi To Na Ru 砂時計 は 報酬 の 鍵 と なる The hourglass is the key to the reward. 74 61 99 37 83 74. イ ソ グ ガ ョ イ I So Gu Ga Yo I 急ぐ が 良い It's better to hurry. 1SS1SS9NS3R55D.COM/ ????????? = ASSASSINSCREED.COM/HOURGLASS This leads to a website where you can enter a code to get some sort of in-game item! We won't say what the code is for now, but the clues are available... Code 2: Numbers hidden in Assassin's Creed Social Media Banners 74 18 78 84 95 47 33 35 75 54 78 35 イ チ ト ニ ハ フ タ ツ デ ヒ ト ツ I Chi To Ni Ha Fu Ta Tsu De Hi To Tsu １ と 2 は 2つ で 1つ One and two are two in one. 26 13 59 98 15 84 95 78 69 59 42 86 サ ン ヲ シ ル ニ ハ ト キ ヲ マ テ Sa N Wo Shi Ru Ni Ha To Ki Wo Ma Te 3 を 知る に は 時 を 待て Wait until you know 3. Code 3: Binary hidden in a promotional image emailed out to fans 33 11 33 11 11 21 11 21 33 11 33 11 33 11 11 21 33 11 33 11 11 21 11 21 33 11 11 21 33 11 11 21 33 11 33 11 11 21 11 21 33 11 11 21 11 21 11 21 33 11 33 11 11 21 11 21 11 21 33 11 33 11 11 21 33 11 | タ カ | Ta Ka | 鷹 | Hawk = 0 11 21 | カ セ | Ka Se | 風 | Wind = 1 Converting the binary pairs into ASCII: 00110001 = 1 00110101 = 5 00110111 = 7 00111001 = 9 [1579, the year Yasuke arrived in Japan! Kudos to @edenoi_ / u/BPotatoes for deciphering all this themselves, and giving us all the breakdown! Code 4: Engraved on the Hourglass There was also one more minor puzzle seen solved by u/Ajxtt on Assassin’s Creed News: Code 5: Second Hourglass Message The Assassin's Creed Twitter followed that last video up with another, containing a separate code: Code 6: Assassin's Creed Twitter Bio 66 85 39 17 62 39 75 98 15 98 59 36 35 91 エ ッ ク ス ジ ク デ シ ヲ ミ ツ ケ E K Ku Su Ji Ku De Shi Wo Mi Tsu Ke X 軸でし を 見つけ Find on the X-axis. 56 74 62 39 75 48 39 86 69 59 98 15 75 63 24 45 ワ イ ジ ク デ モ ク テ キ ヲ シ ル デ ア ロ ウ Wa I Ji Ku De Mo Ku Te Ki Wo Shi Ru De A Ro U Y 軸 で 目的 を 知る で あろう You will know the purpose on the Y-axis. Code 7: New Twitter Banner 38 38 38 38 37 35 34 33 30 30 30 30 29 28 27 26 25 23 17 18 13 10 9 9 8 8 10 11 11 13 13 13 15 17 19 19 21 24 24 23 22 21 20 20 19 18 18 18 17 15 13 13 13 11 9 7 6 4 3 2 1 1 1 1 2 2 2 3 4 6 7 9 10 12 12 11 10 11 11 12 12 11 13 15 16 22 26 28 30 31 31 31 31 30 29 30 34 37 38 19 18 17 15 15 15 15 14 13 12 11 10 8 4 2 2 2 1 2 3 3 3 4 6 8 9 10 11 14 16 19 21 22 21 23 25 26 30 32 33 35 34 31 30 29 28 26 25 21 22 21 19 16 15 14 13 13 14 14 14 15 16 17 18 22 24 23 27 28 29 31 31 31 32 33 33 33 34 36 37 38 39 39 39 39 38 38 37 36 34 33 30 27 25 23 21 21 22 21 These numbers don't fit the usual cipher, but interestingly, there are 99 numbers in each block. If you pair them together as coordinates, you get this: (38,19) (38,18) (38,17) (38,15) (37,15) (35,15) (34,15) (33,14) (30,13) (30,12) (30,11) (30,10) (29,8) (28,4) (27,2) (26,2) (25,2) (23,1) (17,2) (18,3) (13,3) (10,3) (9,4) (9,6) (8,8) (8,9) (10,10) (11,11) (11,14) (13,16) (13,19) (13,21) (15,22) (17,21) (19,23) (19,25) (21,26) (24,30) (24,32) (23,33) (22,35) (21,34) (20,31) (20,30) (19,29) (18,28) (18,26) (18,25) (17,21) (15,22) (13,21) (13,19) (13,16) (11,15) (9,14) (7,13) (6,13) (4,14) (3,14) (2,14) (1,15) (1,16) (1,17) (1,18) (2,22) (2,24) (2,23) (3,27) (4,28) (6,29) (7,31) (9,31) (10,31) (12,32) (12,33) (11,33) (10,33) (11,34) (11,36) (12,37) (12,38) (11,39) (13,39) (15,39) (16,39) (22,38) (26,38) (28,37) (30,36) (31,34) (31,33) (31,30) (31,27) (30,25) (29,23) (30,21) (34,21) (37,22) (38,21) Now if we graph those points: Okay, it definitely looks like something. In fact, it looks like a map! Now, the first hourglass video depicts the Shinsekai neighborhood in Osaka, and the second hourglass video depicts Todai-ji temple in Nara: Osaka and Nara are both in the Kansai region of Japan. Let's take a look at a map of Kansai: That sure looks a lot like our graph up there! Could this be where Shadows is set? Code 8: Facebook Banner 17 68 96 91 74 95 34 36 35 59 11 39 21 96 48 ス ナ ド ケ イ ハ オ ミ ツ ヲ カ ク セ ド モ Su Na Do Ke I Ha O Mi Tsu Wo Ka Ku Se Do Mo 砂時計 は お密 を 隠せ ども Hourglass, hide your secrets. 93 13 62 35 95 61 41 96 49 74 84 63 72 コ ン ジ ツ ハ ソ ノ ド ダ イ ニ ア リ Ko N Ji Tsu Ha So No Do Da I Ni A Ri 今日 は その 土台 に あり Today we are at that foundation. Possibly this is a reference to the messages written on the bases of the hourglasses? Did we miss anything? Let us know in the comments! comments debug Comments (1) Write a comment Write a comment Sort by: Newest Guest May 14, 2024 There's a new code in the Bio of the AC twitter... Dunno if that's of any use Like Reply About the Author Author of the all-encompassing timeline, Codex Temporis, and the Isu-to-English dictionary, Codex Transferendum, Your Friendly Neighborhood Mentor is here to help unweave the confusing web of AC! ActualSpider-Man

Assassin's Creed Community Showcase: April 2023 Community Share 5 May 2023 Written By: Edited By: TOWCB Team Colum Blackett Back To Database Welcome to the first article in a new series dedicated to showcasing Assassin's Creed community artwork! Each month, we will be highlighting community creations and sharing them here on TOWCB website! Kicking off the series, we have an incredible piece of art work inspired by Assassin's Creed Origins, reminiscent of the wall art from the Prince of Egypt movie. Aya by Ru Solis (@ solisdaemon ) Written by Yasmin Page from TOWCB Art Team. ''This artwork was created for the April codexmonthly art prompt: shadows, and encapsulates the theme beautifully. All the details in the background — from the hieroglyphs painted on the wall, to the columns framing the image and the plants surrounding Aya — give the artwork a very strong grounding. A single glance places the scene in Ancient Egypt, and yet the softness of the firelight gives subtlety to what, in daylight, would be bright with colour. And then we have Aya herself, or rather, Amunet, as fierce and mysterious as her namesake. The composition and framing draws your eye to her, and her pose emphasises her power as a warrior. Looking at this artwork, we are reminded that this is the woman who founded the Hidden Ones. A force to be reckoned with.'' Next up, we have a digital painting of Odin, pondering his fate in a recreation that captures the mood of the Valhalla expansion brilliantly. Art by @ linaykaa Written by Aaron Young from TOWCB Writing Team ''I love this piece of art as it fits the themes of the Dawn of Ragnarok expansion. The firey red background with the sparks are so reminiscent of the Svartalfheim enviroment. The trinity knot on Havi's hood beautifully symbolisies that there is no begining or end just eternal life. Makes me think of Loki's quote "All your efforts to evade destiny will only fling you further along its course. If you're not careful, you may be the author of your own destruction" His face and demenour in this piece show the weight he is carrying, can he advert Ragnarok and change his fate?'' Another digital painting, this time imaging Bayek syncronising the Assassin's Creed Origins insignia. Art by s_snowyhooves_s Written by Aaron Young from TOWCB Writing Team ''Assassin's Creed Origins artwork always has a touch of class to it. This piece is no different, with the golden tones representing Egypt magnificently. I adore the Assassin symbol with the eye of horus in the middle and with Bayek sat atop the meaning of protection is amplified. I really like the use of the Isu armour as it's a great contrast to the time period, showing that connection to the ones who came before. With that sun shining so brightly behind Bayek all I can hear is Khemu calling "Papa jump". Assassin Beads by MoonMilk Beads. Written by Colum Blackett from TOWCB Core Team ''I love the colours in this project. To me, it almost resembles an American Eagle from above, with the beading below the insignia acting as tale feathers. I would say that this project has its roots in decorative Native American beading patterns, and it certainly is beautiful. Had Assassin's Creed III followed Connor's story further, I could totally have seen patterns like this appearing in-game.'' Basim by Redreyenotarget Written by Colum Blackett from TOWCB Core Team ''This digital painting shows Basim in his younger days. He appears to hold a rank higher than a novice, due to the throwing knives, but the blue head scarf suggests that he still has numerous stages to overcome before he reaches the rank of Master Assassin. The artist notes the Assassin's Creed Mirage Reveal trailer as the key inspiration for this piece. Perhaps his visible happiness is because Loki is yet to corrupt his perspective through twisted nightmare visions.'' Arno by Madam Estrella ( @ madamestrellascurio ) Written by Yasmin Page from TOWCB Art Team. “We work in the dark to serve the light. A quote at the very heart of the Assassin’s Creed games, and this artwork, to me, is a perfect example. While we as players know Arno and his story, to those inside his world, he moves through the shadows and is unseen. In this image, the shadows hide Arno’s eyes and shroud him in darkness, hiding his identity from the viewer and emphasising the stealth element that’s central to the Assassin’s Creed series. Additionally, the limited colour palette is really striking: the red, white and blue of the French Tricolour, the black of the harsh shadows, and the colour of the light on Arno’s face. A simple portrait composition beautifully executed (pun intended). This artwork was also created for April’s codexmonthly theme.'' Art Reveal We are pleased to reveal a brand new piece of Assassin's Creed Mirage fanart by TOWCB Art Team member Yasmin Page ! ''I painted this portrait of Basim in Photoshop using my Wacom drawing tablet. Surprisingly, I had quite a hard time with it, which I didn’t expect as I’ve drawn Basim a few times before. Nevertheless, I’m proud of how it came together in the end! I’m really looking forward to the release of Mirage and creating more artworks inspired by the game — the world and characters of Assassin’s Creed are an endless source of inspiration!'' Here is another brand new piece of Assassin's Creed artwork, this time by TOWCB Art Team Member, Thea M. Rivedal! “Let them fall” Feathers have been a representative element within the AC community since day one, and given the opportunity, I decided to create a more minimalistic image. As the feathers hold a heavy symbolism, letting them fall slowly from above gives a sense of serenity on the violence the Creed tends to find itself in. Blood on the feather at the bottom is in honor of Altaïr. The image was created in my most used medium the past months, Procreate. https://www.instagram.com/moonchildgecko/ Also produced this week were two pieces of artwork by ShayaFury from TOWCB Art Team. ''I had so much fun making both artworks (The digital one and the traditional one) . Both are made with love. Especially the Victoria and Jacob sketch since it was a small gift for a friend of mine drawing her OC based on Assassin`s Creed Syndicate. It did not take me much time to make it since I had so much fun and specially made it look like that. Used Photoshop and my Wacom Cintiq 27QHD touch and pen tablet. For the Basim sketch it took me a bit more since I did draw him for the very first time and was wondering if I will do him justice! Glad I managed to make it right. I will for sure draw him again. I did draw him in my illo sketchbook using pencil and for the yellow used Ecoline Watercolour brush pen from Royal Talens.'' We would like to say a big thank you to all the community members who contributed towards this article. We will be using our new Community Spotlight series to shine a light on various art projects, alongside sharing our own courtesy of TOWCB Art Team. Look out for the next entry in the series at the end of May. comments debug Comments Write a comment Write a comment Share Your Thoughts Be the first to write a comment. About the Author A collection of articles from The Ones Who Came Before team. TOWCB Team

TO BE COMPLETED Assassin's Creed Symphony - The Journey So Far Share 1 Oct 2019 Written By: Edited By: Colum Blackett (Col_96) Back To Database June 29th 2019 - Paris Palais des congrès de Paris comments debug Comments Write a comment Write a comment Share Your Thoughts Be the first to write a comment. About the Author Col is one of the UK's leading Assassin's Creed Community members, and is best known for establishing both 'The Ones Who Came Before' fan community and 'Isu_Network' content creation program. As Team Leader for The Ones Who Came Before, Col was officially recognised by Ubisoft, becoming one the UK Assassin's Creed community ambassadors in 2016. He has attended many events after spending a decade in the AC Community, and has worked on countless projects, all of which you can find here on TOWCB website. He is also a former Ubisoft Star Player and member of The Mentors Guild, two recognisable community programs which opened doors and took his status within the AC Community to the next level. Colum Blackett (Col_96)

This Week in Assassin’s Creed Virtual Photography: 27th to 2nd April Community Share 4 Apr 2023 Written By: Edited By: Aaron Young Ashlea Blackett Back To Database Welcome to the weekly virtual photography roundup hosted by Aaron Young from The AC Partnership Program. Every week I will be picking our top 5 favourite Assassin’s Creed shots and showcasing them on The Ones Who Came Before website, in order to promote virtual photography and talented content creators within the community. Aaron is a keen virtual photographer and loves to post his journeys through Assassin’s Creed on Twitter. Keep an eye on the site as more weekly shots are added, we are looking for captures across all Assassin’s Creed games. Tag your photos to the #TOWCBWeeklyCapture for a chance to be featured. This week’s theme: Assassin’s Creed Shadow Walker Game: Assassin’s Creed Valhalla VP Artist: @ TuridTorkil We start this week’s showcase with a menacing shot of Eivor in a tree. You have to admire the use of vignette here as it adds great mystic to the capture. I especially like how it frames Eivor along with the tree. The whole ambiance of this shot screams Sceadugengan as Eivor becomes a creature of the night. The hood and tattoo combo really intensify this feel, and the shadow across her eyes is just phenomenal. Peaceful Game: Assassin’s Creed Valhalla VP Artist: @ SelkaPlays Photo number two is all about relaxation. This beautiful shot from Valhalla reminds me of the many hours I spent roaming England’s countryside. I love the balance of nature and the old Roman buildings, coupled with the sun breaking through the windswept tree. There is such a richness of colour in this shot. Hopefully we will get images such as this in the upcoming World of Assassin’s Creed Valhalla book. Elysium Game: Assassin’s Creed Odyssey VP Artist: @ guyinspacesuit Up next this week we have Ikaros scouting the immediate area. It never gets old using our bird companions to see what wonders or dangers lurk ahead of us. For a VP artist it’s even more satisfying as you are able to produce spectacular shots such as this one. I adore the colours in this capture, from the blue of the waterfall right to the purples of the flowers below. Every inch of this photo is magical. Modern Day Assassin Game: Watch Dogs Legion VP Artist: @ Syntia_BH Mixing it up a little for photo number four, as we enter the world of Watch Dogs. I love this shot of Darcy on a motorbike patrolling the streets of London. Epic blur effects in the background add so much to this capture. When I see photos like this it makes me long for a modern day Assassin’s Creed. Darcy was so well received by the fans and with Aiden’s connections to Assassin’s Creed, it would be a shame if the developers never get to expand on it. Link to set: Athenian Game: Assassin’s Creed Odyssey VP Artist: @ kingforever008 We end this week’s showcase with a beautiful shot of Kassandra exiting the water. She looks so good in this armour set, the owl on the hood is a real standout. The blurred background is used to great effect as it bolsters Kassandra’s presence. You cannot get away from that incredible water effect though, along with the light reflecting it is visually spectacular. The Ones Who Came Before Photo of the Week: Judge: Colum Blackett // Col_96 (TOWCB Community Admin) This shot really stood out to me as it perfectly resembles 'the calm before the storm'. The ripples of the water and still nature of the shot give it a peaceful aura, something rarely seen in Assassin's Creed. Kassandra looks like a completely different character to the one we know, and could easily be mistaken for the leader of a nature worshipping cult whilst wearing this armour set. I think @ kingforever008 did a great job with this capture, as the picture feels alive. And that sums it up for this week’s Assassin’s Creed virtual photography recap list! Thank you for checking out this week’s photo collection. This would not be possible without the virtual photographers out there so a huge thanks to them. Until next week keep those shots coming in! comments debug Comments Write a comment Write a comment Share Your Thoughts Be the first to write a comment. About the Author Aaron is a passionate Assassin's Creed fan who joined our AC Partnership Program as an Online Article Writer back in 2021 after the release of Assassin's Creed Valhalla. After building momentum and interest on TOWCB website for Virtual Photography, Aaron established TOWCB Virtual Photography Team, of which he is now Team Leader. Throughout 2024, TOWCB VP Team will be sharing community captures in dedicated articles, and providing a positive environment on Twitter for gamers to share their shots. Aaron Young

What we want to see from Assassins Creed Mirage Wishlist Share 15 May 2023 Written By: Edited By: TOWCB Team Colum Blackett Back To Database Here are the key things that members of TOWCB Team are hoping to see in Assassin's Creed Mirage. Aaron Young (TOWCB Writing Team) Improved Parkour, Stealth and Photo Mode ''I would love to see Mirage replicate the Unity formula with its atmospheric City and excellent parkour. I would quite like the memory sequences to return so that we are able to replay moments without having to restart the game. If possible I would also adore the reintroduction of customisation that Unity did so well and Jedi Survivor has just replicated. I can’t wait to be a real Assassin again patrolling the rooftops. As an archer I really hope Ubisoft has reconsidered the use of bows. I understand that they can be a little over powering in a stealth focused game, however AC III pulled it off. It’s bizarre to think Basim would not use one. To balance the gameplay why not make arrows sparse like the last of us. An Assassin with limited tools is surely the best. Finally and most importantly for me would be the inclusion of Valhalla’s photo-mode. The love that is out here for Assassin’s Creed Virtual Photography is phenomenal with many tags still trending long after the games have gone. It is clear that Virtual Photography sells games and keeps a title in people’s minds. There is a respect for the Assassin’s Creed photo-mode despite how basic it is compared to say Horizon. I am most at home with the Valhalla Photo-mode but would love to see: -More distance -Expressions -Poses -Outfit Changes -Day and night options -Custom Lighting -Save Camera Positions -Photo-Mode in cut scenes -Hide Characters -Close up shots Even just a few of these things would go a long way to pushing the Assassin’s Creed photo-more tools on.'' A mock-up of how Assassin's Creed Mirage could look by FrameHoldPhotography ActualSpider-Man (TOWCB Writing Team) Narrative Pay-offs, Isu Puzzles and Links to Valhalla ''The setups of Valhalla’s multiple cliffhangers deserve their payoffs. By that I mean we need to see William Miles and crew synchronize Basim’s DNA into memories for William to experience. We need to see the impact of a Reborn Isu teaming up with Assassins. We need to see the Modern Day fallout of Layla’s sacrifice. We need to learn whether Loki had forged that last recording Layla sent to “not come find her”, or if that was truly Layla’s final wish. And regardless of that wish, we need to see Loki chastise William for leaving his son to die, and explain to him that Desmond is alive in another plane of existence as The Reader. It worries me how de-emphasized the Modern Day has been in the advertising for upcoming titles, reminding me of the same happening to the parkour in the past, and I hold out hope for at least SOME Modern Day answers in Mirage. It also being centered around our new Isu ally, I crave more meaningfully intricate Isu Language puzzles, and not just using Isu transliterations to spell English words, but broadening the language with needed AC-centric words we don’t already have, like colors (red, blue, yellow, white), relationships (beyond “Mother/Father”, we need brother, sister, partner, enemy, ally), time (more than “day”), etc., that would bring a huge smile to my face! Of course, surrounding the historical portions, I’m wanting this “return to form” to be a balance of Brotherhood’s scope, Unity’s parkour system, and a mix of the RPG combats. Personally I found the thousand things to do on the newer trio’s maps to feel like meaningless busywork when they weren’t somehow connected to the overall narrative, where Brotherhood excelled. Unity should be the benchmark of AC fluid motion mechanics, and I’ve sorely missed depth to the traversal, so I’d like to see its return. And I did have fun engaging in different styles of combat with different weapon and armor loadouts in the recent games, so I would like to see that consistency stick around, but with preferably much less damage sponging. It is a power fantasy, after all! All in all, I just want to see how Ubisoft decides to run with having full-on Reborn Isu DNA being in Assassin possession, something the Templars have been attempting to do since Black Flag. Are we gonna see the internal struggle of the mind between Basim & Loki firsthand? Is Basim going to have his own regressive memories from the Isu Era to flesh out more of Loki’s backstory? Are they going to link Basim & Roshan’s history up to Valhalla in meaningful ways? Fingers crossed, I sure do hope so.'' Colum Blackett (TOWCB Admin) Improved Parkour, Alamut Castle and Smoke Bomb Crafting Pieced together using quotes from our new podcast, Rally the Creed #1 . ''I think Assassin's Creed Mirage is sort of meant to be like a stepping stone. It's like a smaller bite-sized chunk of a game and then a bigger game is to follow. Fans are waiting for a game that really is ticking all the boxes in terms of the pillars of the franchise. If you look at real parkour. They have to reinvent that whole pillar if you ask me. People who are free running. they do this for a living, they're performing moves never seen in an assassin’s creed game, and time after time it's sluggish in-game. They need to really look at the parkour in Valhalla, really. It's sort of set the framework for parkour opportunity. The opportunity to do parkour is excellent, but parkour itself isn't. You want to really move and feel like an eagle above the crowd.'' ''There's a lot of things that they could do that, even though it's meant to be a smaller game. They could really add some scope to it. I mean for example it's set in a region that we've not really seen before. It looks like it's going to bring in Alamut which is the original Assassin castle. So where you had Masyaf in Assassin's Creed I, this is like a precursor to that. So like a base for the Assassins, so is literally the birth of the Assassin Brotherhood after the Hidden Ones go into hiding. '' ''And the cool thing with that trailer is that when Basim uses the red smoke bomb, that's almost like a call-back to Revelations, where you could craft your own smoke bombs. And that's a mechanic they could bring into this game. You can put blood in it, you put gold in it. You could have people running in the street. You know, the the beggars will run after you. It's a distraction and that's great for an Assassin. If you hiding in plain sight, I mean, you literally have got something in your pocket that can bring the whole street to the other side and you can just sneak in.'' ''If you're playing like an Assassin, why not unlock Assassin robes and you'll know you're getting rewarded by the Brotherhood, and with this game Mirage, it looks like you start as a Novice. I mean in the trailer he's literally a street thief who comes from nothing who works his way up through the ranks, and every time he does a mission he could gain a different piece of equipment, or by doing more training'' Listen to the full episode below to hear our full discussion on Assassin's Creed Mirage. Fr ameHoldPhotography (TOWCB Admin) Fluid Parkour, Replayability and Chain Kills ''I would love to see Mirage mix my favorite elements of the classic AC formula with subtle flairs of what we saw in the new RPG trilogy. A return to fluid parkour in tightly packed cities like we saw in Unity and Syndicate would be amazing, along with black box missions for key targets. The ability to replay missions and memories is also something I would really like to see come back in Mirage. There are so many key moments in Odyssey and Valhalla that I would love to replay, but I don’t feel like starting another game just to reach that one moment. I prefer the combat system and skill trees that were present in Origins, Odyssey, and especially Valhalla, and I would like Mirage to incorporate vastly different playstyles and builds for Basim. While I would like there to be more of a focus on stealth in Mirage, having the ability to spec out different builds for poison, traps, and range could be really fun. I would love to see Mirage bring back multi-kills as well—chaining kills in the older AC games was too much fun. Lastly, I want Mirage to include a more robust Photomode. Having the ability to change time of day, lighting, poses, and outfits would be amazing for virtual photography!' A mock-up of how Assassin's Creed Mirage could look by FrameHoldPhotography Gustav Poulsen (Gargudon) (TOWCB Video Content Creation Team) Varied Gameplay, Levelling Up & Optional Objectives ''Really I’d just love to see a return to the old, pre-Origins formula gameplay and structure wise. This mainly means the return of memory sequences over quests, and more varied gameplay overall; everything from main story missions with optional objectives, side missions, collectibles, 100% total completion etc. Origins did everything too loosely, there was no real difference between main and side quests, everything felt quite repetitive, and more or less being forced to play side quests in between main ones to necessarily level up was quite a drag, and made me quite uninvested in the story. Speaking of leveling up, I honestly have nothing against that; earning XP and skill points, and buying skills to upgrade your character. It works really well in both Unity and Syndicate, and in other Ubisoft titles like Far Cry, but there it works much better as you level up and acquire more skills as you naturally progress through the story.'' Screenshot by Col_96 from Assassin's Creed Unity Joe (UbiCypher) (TOWCB Social Media Content Team) Return of William Miles, Hassan-i Sabbah cameo & a Notoriety System ''I'd like to see if William appears as the user of the Animus reliving Basim's memories, and an interaction between him and Basim out of the Animus, Mentor to Mentor discussing the future of the Brotherhood now that Basim is the first ever recorded human being from the past to actually have revived (except Juno) and the consequences over the rest of the cells scattered around the globe it could cause to learn about such information. Also, William learning of Desmond's consciousness being within the super computer and undertaking a mission to try and bring him back somehow would be beautiful. Of course, the birth of the Assassins as we know them to finally wrap up the whole Hidden Ones ordeal and perhaps a cameo in the very end or post credits of Hassan-i Sabbah (perfect occasion to make his physical appearance) in the first mandates of the Creed. I'm intrigued about the parkour since lately there have been statements about the whole Unity inspiration thing being dropped for a more similar movement set tweaked from Valhalla. Weaponry, gadgets, locations, architecture and sandbox traversal also appeals to me as I always loved to go to the objectives on the roofs feeling like a real Assassin rather than walking which we have had a lot of in the last three iterations. I hope the dye mechanic is also back as well as a notoriety system, along with an economy one too similar to the Auditore through renovations.'' Promo image for Assassin's Creed II Michael Doyle (TOWCB Admin) Impact upon the World, Economy options and Building a Spy network Pieced together using quotes from our new podcast, Rally the Creed #1 ''But I think yeah that that does touch on something as well which is what we don't see too much of in Assassin's Creed is how the missions are linear, so obviously traditionally you kind of stuck to a path whereas now you can kind of roam around and you can kind of leave the area to to reapproach from different vantage points. But we don't really see too much of missions, where your actions impact story. So, you know, if you go to spare someone's life versus if you don't. If you decide to assassinate someone, from behind, or if you try and take them from afar, we don't really see how that impacts the story. And I think that'd be quite an interesting one to see in the newer game. But perhaps you then hear the guards later on talking about the events: Did you hear, he was killed without even being seen? He was behind a painting, that would be cool because then it brings you into the world almost as if you're having this impact on the the NPCs around you. Be quite an interesting one to look at.'' ''That's why I loved Assassin's Creed II. Just the ability to build out this thing and then it makes you money that you can then use, and then reinvest it. I think you could, especially if we're looking back at you know, Mirage and the idea that perhaps, he's on the streets and he hasn't got a lot of to begin with, watching that transition as you play the character into actually owning things or being able to invest in things. Maybe you can buy your own market stores that make you money and then they could be lookouts. So then you can get letters saying, Oh, they've seen guards here or they've heard this and you know, building more of a massive experience in the city. I think that would be quite an interesting one as well. And I think, especially in a game like Assassin's creed, that's what they would have. They would have eyes on the ground. They would kind of have this network. They don't join the Brotherhood, butthey're out there sort of being the eyes and ears.'' ''That'd be a great throwback. If you kind of see, you know, that's coming in from each of these people. Not teaching them, perhaps, but, maybe giving them wisdom, giving them insight, the odd skill that you can teach. Then you build this whole experience as a player of the game, you feel like you're not just playing as one character. You're almost playing as a community. You're playing as if you're part of a movement. Against the enemy, not just you as a lone wolf, which some games do feel like, even though you do have people around you, it is just very much you versus everyone else. Be quite nice to have that sense of camaraderie.'' Listen to the full episode below to hear our full discussion on Assassin's Creed Mirage. Mike Smith (TOWCB Admin Team) Discovery Tour at Launch & Basim's ageing ''I would like to see a more in depth Codex for the history of the characters and locations. With the listing of a new Discovery Book Wonders of the Orient I am hoping that a new Discovery Tour will be available at launch, or released as a DLC. I would also like to see Basim age over the course of the story to see how he becomes the Basim we know at the beginning of Valhalla.'' Peter Strat (TOWCB Video Content Creation Team) Stealth Tools, Intricate Level Design & Improved Parkour. ''For me I'd love to see a renewed focus for the two of the three main pillars on the series when it comes to gameplay. Combat has received a number of changes over the years but the other two pillars, parkour and stealth, have for the most part, regressed in terms of depth and player expression. Parkour had many layers, allowed for player expression and gave you more control in the early games in the series. However in recent titles, this has slowly been stripped away. A lack of control, options and overall fluidity as you move through parkour sections in recent titles has really made me miss the prior games. Stealth is a strange one but the tools you had access too in titles like Unity and the readability and consistency of a game like Origins slowly fell away. Another aspect I'd love to see return is a renewed focus on locations and further more, more intricate level design. The first couple of games felt grounded in their cities and they felt like a "main character". Cities had depth and a level of connectivity that made running around the rooftops such a blast. Sadly that's been missing, especially in the RPG trilogy. From a story point of view, I'd love to see a return of target focused plot lines and sequences. Something about learning all about a target, how to deal with them potentially and getting to know all about their character has felt sorely missed in the last few games.'' Yasmin Page (TOWCB Art Team) Historical Events, Animus Database Entries & The World Feeling Alive ''What I’m looking forward to most in Mirage is seeing how they develop the world and tie Basim’s story in with the historical events of the 860s. That was something I really liked with Assassin’s Creed 2 (for example) — that Ezio’s story really felt really grounded within the Italian Renaissance and his actions impacted real people. It really builds into the idea that the Assassins and Templars have always been there in the background, pulling the strings and shaping the world as we know it. Following on from this idea, I would also like to see a return of the Animus database, providing information on the historical events, places and characters that Basim will encounter in game. It’s a small detail, but as I first got into the series through my love for history, it really enriched my playing experience. If not a database, then another Discovery Tour would also be wonderful. Also, like many others in the team have said, I would love to see a return to Unity style parkour and the stealth of the earlier games in the series. It provided a different kind of challenge to missions other than just combat (although that is fun in itself). Stealth and parkour are such intrinsic things to the Assassin’s Creed series, and while I have loved the more recent titles it was a shame to see them lose importance. Ultimately though, I am excited to explore the world they build. The environments of Assassin’s Creed have always been full of life and detail, from the NPCs to the buildings and the music, and I’m sure that Mirage will not disappoint. ' We would like to say a huge thank you to all TOWCB team members who contributed towards the creation of this article! comments debug Comments Write a comment Write a comment Share Your Thoughts Be the first to write a comment. About the Author A collection of articles from The Ones Who Came Before team. TOWCB Team

This Week in Assassin’s Creed Virtual Photography: 21st to 27th August Community Share 29 Aug 2023 Written By: Edited By: Aaron Young Colum Blackett Back To Database Welcome to the weekly virtual photography roundup hosted by Aaron Young from The AC Partnership Program. Every week I will be picking our top 5 favourite Assassin’s Creed shots and showcasing them on The Ones Who Came Before website, in order to promote virtual photography and talented content creators within the community. Aaron is a keen virtual photographer and loves to post his journeys through Assassin’s Creed on Twitter. Keep an eye on the site as more weekly shots are added, we are looking for captures across all Assassin’s Creed games. Tag your photos to the #TOWCBWeeklyCapture for a chance to be featured. This week’s theme: Assassin’s Creed Shadows Game: Assassin’s Creed Odyssey VP Artist: @ misthiosvp “I am fire, I’ll use that, a beacon to the order” Kassandra the Eagle-Bearer, a mercenary who’s fortunes changed dramatically over the course of her story. Kassandra’s combat mastery and charm built her a reputation across the Greek world, one that would put fear in the hearts of her enemies. She may not have been an Assassin, however she did carry out their work by removing the Order in Greece. This is black and white virtual photography at its finest. Fantastic use of shadows, and light to create a prestigious portrait of the Misthios turned Assassin, Kassandra. The Fire Game: Assassin’s Creed Valhalla VP Artist: @ Shadmehrphoenix “Is it from here we launch our attack” The shieldmaiden responsible for the eradication of the Order in England must always be remembered. Eivor’s tale is long and less straightforward than some of her predecessors, but like Kassandra she has an important role within the Hidden Ones, even if she isn’t directly an Assassin. Just like the previous capture this shot exudes class, and once again the shadows play an important role dramatizing the shot. I love the torch though, the projection of light across Eivor’s face brilliantly showcases the Jormungandr tattoo. Fantastic virtual photography of the Norse raider lighting the way. Set Sail Game: Assassin’s Creed Valhalla VP Artist: @ RenanVP_Alt “An ocean lies before us, Eivor. And on its far side, a new kingdom awaits” Sigurd and Eivor’s relationship with Styrbjorn weakens after he seeks peace with his enemies. They grow tired of his lack of ambition and set sail for England to find wealth and glory. Eivor believes this to be a simple plan but little did she know Sigurd is being manipulated by Basim in the background. For me this capture epitomises Valhalla and the fact it is a Viking game at heart. The Longship looks beautiful here with the colours a delight on the eye. The scenery and the water is breath-taking, it takes me back to that moment in the game. Excellent timing to get Sýnin in the shot too. The Ones Who Came Before Photo of the Week Judge: Colum Blackett ( Col_96) : Community Admin for TOWCB For me, this shot takes me back to the Assassin's Creed Valhalla marketing campaign, and looks like an official promo shot for the game. I love how it shows Eivor during a peaceful moment in her life, before all the chaos that follows. Norway was particularly spectacular in Valhalla, and this dynamic capture brings it to life. There is so much momentum in this snapshot, all happening below the wings of Eivor's faithful companion Sýnin. The Raven Clan travelled far and wide, but home always calls them back in the end. Great shot all round. Valkyrie Game: Assassin’s Creed Valhalla VP Artist: @ m_nt_13 “You are unworthy” The Valkyrie were a selection of female combatants who took fallen warriors to Valhalla once they had fallen in the real world. When the warriors arrive in Valhalla they are turned into Einherjar for Odin to utilise. It is quite fitting that Eivor should wear this outfit as she herself is somewhat a servant to Odin through fate. This epic shot of Eivor in the Valkyrie mask is perfectly framed highlighting the faceless Viking walking through England with purpose. In some ways I am getting real Order of the Ancients vibes from this. I adore the detail and saturation on the mask, it just looks incredible. Sword of Destiny Game: Assassin’s Creed Valhalla VP Artist: @ Sarokeye “Eivor. On our journey here, I had much time to think. On the ecstasies and agonies of our friendship” The brothers are a formidable partnership but Sigurd’s greed and Basim’s poison words are enough to leave this once solid relationship in tatters. Depending on your choices throughout the game you could reconnect but it would never be the same. This mind-blowing capture of Sigurd’s sword in the ground typifies the descent into madness. A once strong-willed leader of the Raven Clan, now broken by fate. The details here are stunning and the ambiance is so moody, really gives you the sense of doom. The details of the rust and dirt are so good, symbolizing that Sigurd has seen better days. A truly phenomenal capture. Link to Set: And that sums it up for this week’s Assassin’s Creed virtual photography recap list! Thank you for checking out this week’s photo collection. This would not be possible without the virtual photographers out there so a huge thanks to them. Until next week keep those shots coming in! comments debug Comments Write a comment Write a comment Share Your Thoughts Be the first to write a comment. About the Author Aaron is a passionate Assassin's Creed fan who joined our AC Partnership Program as an Online Article Writer back in 2021 after the release of Assassin's Creed Valhalla. After building momentum and interest on TOWCB website for Virtual Photography, Aaron established TOWCB Virtual Photography Team, of which he is now Team Leader. Throughout 2024, TOWCB VP Team will be sharing community captures in dedicated articles, and providing a positive environment on Twitter for gamers to share their shots. Aaron Young

Assassin’s Creed Virtual Photography: 15th to 26th April 2024 Community Share 14 May 2024 Written By: Edited By: Aaron Young Back To Database Welcome to the biweekly virtual photography roundup hosted by Aaron Young from the AC Partnership Program. Every two weeks we will be picking our top 5 favourite Assassin’s Creed shots and showcasing them on The Ones Who Came Before website, in order to promote virtual photography and talented content creators within the community. This theme has been run alongside @PodToGo, a long-time friend of mine in the VP community. Pod has been a pillar of support since I joined this wonderful community. His excellent virtual photography often catches the eye, whilst also being a very humble and supportive member of the VP community. Keep an eye on the site as more shots are added, we are looking for captures across all Assassin’s Creed games. Tag your photos to #ACFirstCivVP for a chance to be featured. This theme week: Action Strike Game: Assassin’s Creed Mirage VP Artist: @ visionevp The Ones Who Came Before Photo of the Week Judge: @ PodToGo This image is a great combination. The colouring and timing are fantastic. A worthy winner of the action theme for me. Aaron (@ FalconSwift87 ) “Underestimating your opponent is a fool’s folly”. Bringing justice to the order has always been a pivotal concept of the Assassin’s Creed franchise. It was fitting that Mirage returned to those core values in 2023. There now seems to be a real breath of fresh air into the much-loved series. Striking from the shadows Is what all Assassins do best, and here we have Basim doing just that. A difficult shot to take as timing is everything for these types of captures. I must applaud Visione for managing this without the red glow around the guard. I do really like the colours too as the vibrancy helps the picture stand out. A very Assassin’s Creed photo for shot of the week. Quick Reflexes Game: Assassin’s Creed Mirage VP Artist: @ BasimIbnIshaq_ “Training Is nothing, will is everything”. I must admit when Assassin’s Creed Mirage was announced and we were informed there would be no bows in the game, my heart sank a little. That being said the throwing knives are so much fun, and the design is exquisite. I would have been disappointed if I hadn’t had seen a shot like this in an action themed week. I am really liking the composition with the knife flying through the air. The details of the knife are showcased excellently with that intricate design the hero of the shot. I do think Basim looks great performing the throwing action, his angered face shows that he means business. Taking Aim Game: Assassin’s Creed Origins VP Artist: @ astroghost001 “You have failed this city”. Despite feeling extremely out of place the Isu gear in the RPG games definitely looks awesome. The dark colours mixed with the bright lights stand out, allowing for excellent photo opportunities. I still remember the fun of trying to find the Isu bow in Assassin’s Creed Valhalla by the rock. This capture has everything you could want from an Isu warrior. I am a huge fan of the white boarder, with the blurred rock face in the middle. Bayek looks badass as he almost acts as a 3D image, bursting out of the photo. It’s amazing to see out of the box virtual photography that really catches the eye. Glory Game: Assassin’s Creed Odyssey VP Artist: @ _fallenmemory_ “If I was your punishment, you’d already be dead”. The conquest battles are arguably the best place to create action shots. These epic battles played out in Assassin’s Creed Odyssey once you had lowered the power of the region. It was such a brilliant idea and choosing a side made it even more enjoyable. I just wish they had more meaning to the overall story. Here we have Kassandra reaching to the sky with the spear of Leonidas. She looks incredibly powerful dressed in the full Spartan armour. I really like the light glowing from the spear and the depth of field allows us to see the other participants deep in combat. I am not sure any of them stand a chance against this Misthios. Dive of the Valkyries Game: Assassin’s Creed Valhalla VP Artist: @ G_Assassin90 “You couldn’t kill me if you tried for a hundred years”. Assassin’s Creed Valhalla has such a monstrous number of abilities to obtain. The sheer amount can almost be overwhelming. Finding those books of knowledge is key and unlocking skills such as throwing axe fury and dive of the Valkyries, these can be real game changer in combat. This shot is perfectly timed as Eivor looks to descend upon her victim. I love the silhouette style, especially with the spear in full swing. Very topical too having the Northern Lights as the background, they are a treat every time you see them in game. The composition is really giving a god like feel to Eivor and that makes perfect sense given her harrowing story. And that sums it up for this Assassin’s Creed virtual photography recap list! Thank you for checking out the photo collection. This would not be possible without the virtual photographers out there so a huge thanks to them. Until next time keep those shots coming in! comments debug Comments Write a comment Write a comment Share Your Thoughts Be the first to write a comment. About the Author Aaron is a passionate Assassin's Creed fan who joined our AC Partnership Program as an Online Article Writer back in 2021 after the release of Assassin's Creed Valhalla. After building momentum and interest on TOWCB website for Virtual Photography, Aaron established TOWCB Virtual Photography Team, of which he is now Team Leader. Throughout 2024, TOWCB VP Team will be sharing community captures in dedicated articles, and providing a positive environment on Twitter for gamers to share their shots. Aaron Young

AC Community Questions: Michael Doyle Community Interview Share 7 Jul 2022 Written By: Edited By: Colum Blackett (Col_96) Ashlea Blackett Back To Database For this round of Assassin's Creed Community Questions, we invited Michael Doyle, member of the Assassin's Creed Partnership Program // Isu Network's Writing Team. Col: Hi Michael, thanks for joining us today! Please could you tell us a little bit about yourself and your connection to the Assassin's Creed Community. Michael: Hi I'm Michael, I'm 25 years old and I'm from the UK. I've been playing video games for as long as I can remember, with the first game I ever played being Cool Boarders on the PS1. My connection to Assassin's Creed began when I was about 10/11 years old, getting the first game on release in my local Blockbuster. One of my favourite early memories from Assassin’s Creed is a horse glitch that launched my character across the map. More recently, my close friendship with TOWCB admin team has brought me back into the AC Community. Col: Which Assassin's Creed game is your favourite and why? Michael: AC III - I loved the history, weapons, different environments and Connor’s character development. Especially with the twist that his father was a Templar. I also loved the introduction of the battle ship mechanics, which was a great addition to the franchise. Col : Have you visited any of the locations from the games? Michael: I’ve been to Rome, where I was able to explore the Castel Sant'Angelo, the Pantheon, the Sistine Chapel and the Colosseum. Whilst at the Castel Sant’Angelo I also recreated some assassin parkour photos. Col: What would be your dream setting for the upcoming AC Netflix TV show. Michael: My ideal location for an upcoming AC Netflix TV show would be Egypt, as this is one of my favourite historical periods and would be totally unique. Col: Where do you personally think the franchise is heading to next, and are you excited for the future of Assassin's Creed? Michael: I’d love to see the franchise do something in the modern day, almost like the Kingsman, with honour and tradition in todays world. The idea of a modern day assassin in futurist city like Singapore or Dubai would be interesting take. Col: What are some of your most recent Assassin's Creed Community Projects, and what are you working on currently? Michael : As I am new to the community I have only just starting writing content. So far I have recently written a Valhalla weapons guide for a fire build. However, I am looking to do more of this content over the coming months with a focus on how-to, and tips and tricks to optimise gameplay. Col: Do you have any personal AC goals you would like to achieve? Michael: I have always wanted to speed run an assassins creed game, preferably AC III. I have speed ran a number of games in the past such as Skyrim and Crisis 2, but never an AC game. I’d also love to meet the voice actor of Ezio. Col: What do you think Ubisoft are planning to show at the September AC event? Michael: I think Ubisoft are planning to show the new AC Title, in addition to the AC Infinity hub which I can see being marketed as a similar platform to the Halo Master Chief Collection/Halo Waypoint. All we can hope for is that the Ubisoft showcase is going to be more exciting than the September Apple announcements. Col : Do you collect AC merchandise? If so, what if your favourite item? Michael : Not yet… I do collect Marvel, Harry Potter, Pokémon and Star Wars merchandise. The only AC merchandise that I remember owning is an original AC poster from HMV. If I could own any one piece of AC merchandise it would actually be a game, and that would be the Ezio Collection. Col: Where can our community members find you online? Michael: I have a new Twitter account where I keep track of the AC community and all the latest Ubisoft content. We would like to say a huge thank you to Michael for joining us for this round of AC Community Questions! comments debug Comments Write a comment Write a comment Share Your Thoughts Be the first to write a comment. About the Author Col is one of the UK's leading Assassin's Creed Community members, and is best known for establishing both 'The Ones Who Came Before' fan community and 'Isu_Network' content creation program. As Team Leader for The Ones Who Came Before, Col was officially recognised by Ubisoft, becoming one the UK Assassin's Creed community ambassadors in 2016. He has attended many events after spending a decade in the AC Community, and has worked on countless projects, all of which you can find here on TOWCB website. He is also a former Ubisoft Star Player and member of The Mentors Guild, two recognisable community programs which opened doors and took his status within the AC Community to the next level. Colum Blackett (Col_96)

Assassin’s Creed Shadows Music Fan Theme - The Wind Between The Cherry Trees - Available Now! Breakdown Share 27 Mar 2025 Written By: Edited By: Gustav Poulsen (Gargudon) TOWCB Team Back To Database Link to listen on Apple Music Link to listen on Spotify For a while now, we here at The Ones Who Came Before have been getting into the world of music, interviewing composers who have shaped the sound of the Assassin’s Creed franchise, covering iconic tracks, as well as writing our own original fan themes inspired by different instalments. This tradition of course continues with the newly released AC Shadows, hence we are excited to announce our newest original track inspired by the new game - The Wind Between The Cherry Trees - written, arranged and produced by Gargudon from the TOWCB team! This is an in depth look with the brains behind the track, at the process of how it came together, as well as some of the influences behind it. And of course, make sure to also check out the full track, available now wherever music is streamed! Track breakdown & writing process I had so much fun creating this new fan theme for the new instalment, at last heading to a fan favourite location over many years, 16th century Feudal Japan. Before I even started properly producing the track, I already had a very good idea of how I wanted it to sound, what elements I wanted to be at the forefront of it, and what ambiences and emotions I wanted to capture. The setting of the new game meant so many fun opportunities and possibilities for choice of sounds and instruments; I always knew I wanted emphasis on something very ambient and tranquil sounding, with lots of Japanese stringed and wind instruments. The opening and final sections of the track, are meant to capture the peace and tranquillity of the vast forests of Japan that can be explored in the game, filled with massive waterfalls, blue skies, diverse wildlife, and like the title suggests of course, blooming pink cherry trees, or as they call it in the native tongue, sakura. I feel like the prominent koto, fused with the ambient plucks and pads, perfectly captures these sceneries, and can serve as the soundtrack to meditating and or practicing katana moves on the highest mountain. In between these two sections though, is a perhaps slightly darker and more intense, yet also quite cinematic sounding interlude. I wanted this part to mainly centre around massive sounding percussion with big taiko drums, while also giving it an element of traditional African music, as an homage to Yasuke’s native background. My favourite part about this interlude section though, is easily the throat singing, a common ritual practiced throughout Southeast Asia. Recording those parts was also super fun and challenging in a good way, as it had me looking into different techniques, learning something new in the process. When I tracked them, my voice was also pretty rough, following a nasty round of sickness, which in the end may or may not have been an advantage, it then having a certain rawness to it. Track influences There was a number of different influences for the track, from things I’ve written myself earlier on, Jesper Kyd’s iconic AC soundtracks, to a couple of “normal” songs even and more. Two songs that were major influences, were actually these two by Nashville artists Alana Springsteen and Robyn Ottolini, “Look I like ” and “ House I Grew Up In ”. First of which I also did a super fun remix of it once, reusing a lot of elements, sounds and melodies for this new track. For songs labelled “Country”, both have a lot of sounds and ambiences you wouldn’t necessarily associate with the genre, having prominent sections with what sounds like a koto, or some other Eastern stringed instrument. Robyn’s song was a major influence for the first section, recreating certain sounds and vibes, and reusing the chord progression and koto melody. Alana’s (and my remix of) served as influence for the final section, also reusing the chord progression and a certain melody played on koto. Additionally I once again used the melody from my AC Unity inspired fan theme “French Highlands”, it being played on flute during the middle interlude. If a new version of Ezio’s Family can be written for almost every game, so can I reuse my own written themes. Of course I also turned to the master Jesper, using some ambient samples reminiscent of his legendary AC2 soundtrack, samples of birds singing and a waterfall to create a very lively soundscape and some realism, and of course as mentioned, throat singing, where a major inspiration was the loading screen music from another massive Ubisoft game, Far Cry 4, also set in a similar culture and part of the world. And that concludes this in-depth look at our newest original AC inspired musical fan theme! Once again, make sure to check out the full track, available wherever music is streamed, add it to your playlists, maybe even having it on in the background while exploring Japan! That and let us know what games you would like to see inspire future fan themes! comments debug Comments Write a comment Write a comment Share Your Thoughts Be the first to write a comment. About the Author Gustav is an active community member who specialises in Podcast Hosting & Composing. By joining the program, he has had the opportunity to expand his audience and further his skills, even helping to revive 'The Memory Corridor' series, which had been offline for nearly a year. His unique skill set made him the perfect candidate for our AC Partnership Program, of which he has been a part of since it began back in 2019. He is known in the community for the Sounds Of History music project; an original instrumental project featuring five tracks inspired by AC, written and produced by him, and more recently, video interviews with Jesper Kyd and Lee Majdoub. Fun Fact: Gustav is the only member of our team to have a tattoo of TOWCB logo! Gustav Poulsen (Gargudon)

Assassin's Creed III: Revolution Reborn Analysis Share 14 May 2025 Written By: Edited By: Hayden Bird Colum Blackett Back To Database When Assassin’s Creed III launched worldwide in October of 2012, it marked a new era of the Assassin’s Creed series we know and love today. It became the first game in the series since 2009’s Assassin’s Creed II to not feature main protagonist Ezio Auditore, who was and always has been very well received by fans, so the attempt at creating a new story to succeed the renowned “Ezio Trilogy’ would be a tricky one for Ubisoft as they had to find a story that properly followed such a strong trifecta and go back to their creative roots by crafting a whole new story, characters, and setting after the last few games focused heavily on Renaissance Italy and Italian culture. Ubisoft chose to head in the direction of the American Revolution, a heavily requested location from fans and one of the most story-rich time periods in all of history. The idea of creating a game that could be great on its own, but also succeed the familiarity of the previous three games in the series was a tough task, but Ubisoft played their cards perfectly and delivered the Assassin’s Creed III we know today all these years later. Promotional image for Assassin's Creed III via Ubisoft Ubisoft chose to follow the narrative direction of the Native Americans in this game, and create a story that comes from their heritage and history that also contains strong elements with what the majority of the American Revolution is known for: the Colonies from Great Britain retaliating against their owners and forming a new, free nation, away from British control. It worked well to mix in a storyline about the Native Americans and how they were treated by everyone in the Colonies back then. Ubisoft introduced a new playable protagonist, or so we thought, named Haytham Kenway, who was the main character throughout the beginning of the game. His story included a massive plot twist that was creatively brilliant from Ubisoft, where Haytham was only a temporary playable character who tricks all audiences by revealing his loyalties to the Templar Order, who are the main antagonist group in the series as a whole, when most fans expected him to be a part of the Assassins Brotherhood. Only several hours into the game do we discover and control the real main protagonist, a Native American boy named “Ratohnhake:ton” or for short as clarified later in the story, he would be widely known as ‘Connor’ instead. His story followed a lengthy revenge plan to kill and avenge his mother and people from his village from a Templar named Charles Lee, who was working with Haytham, the temporary main playable character who was later revealed to be the biological father of Connor. Sales for Assassin’s Creed III broke records for Ubisoft, as it then became their most pre-ordered game in the series by far, and heavily outperformed the past two games just a few years prior. It was evident the fan excitement that Ubisoft created after the successful “Ezio Trilogy” had carried on to the anticipation for Assassin’s Creed III . Ubisoft had announced in early 2013 that the game had sold 12 million copies worldwide, which was a near 70% increase over its predecessor, Assassin’s Creed Revelations that was released just one year before. It was a huge smash hit for Ubisoft and their vision for the game paid off from both sales and fan reception. The developers also had the task of creating a story about Native Americans that honored their history, and was displayed authentically in the game to give an accurate representation of the Native American culture and how it was properly relevant to the story Ubisoft created. This goal was by far completed, and the story they created honored the ups and downs of Native Americans during the late 1700’s. Opening Title Sequence from Assassin's Creed III The new setting of the American Revolution also created the necessity of gameplay changes aside from just the narrative impacts. America and the Colonies back then were much different land and terrain than what we had gotten used to in Italy. The buildings were not masterfully designed in America then as they were in the Italian Renaissance, along with the more focus on outdoors and woods type land with trees and wilderness that past games were not familiar with. Ubisoft had to create a game that played authentically from what we would expect the American Revolution to look like. So the gameplay mechanics were in need of changes to fit the time period. Ubisoft did just that and introduced all new gameplay elements such as climbing in trees and parkour around Colony sized buildings and structures. Ubisoft needed to implement changes to the combat system along with the terrain. During this time, people did not walk around carrying swords strapped to their waist anymore, but instead carried around rifles, known as muskets along with the use of flintlock pistols. The inclusion of the famous Hidden Blade was once again an option, but Ubisoft introduced new weapons unseen from previous games, such as the tomahawk axe that the permanent playable character, Connor, carried with him. The new axe was a weapon never before seen in previous Assassin’s Creed games. This was great innovation and creativity from the developers at Ubisoft. It's clear one thing any Assassin’s Creed fan can agree on is that Assassin’s Creed III was a worthy successor from the famed “Ezio Trilogy”. The level of work and changes that were needed to faithfully execute the game as a whole was serious work and creative talent to make sure this game continued this great series properly. Fan feedback and sales were proof that Ubisoft masterfully crafted Assassin’s Creed III both to break records and keep the momentum going for the games that had been on a massive streak of success. There were a lot of factors into this game that could’ve set it up for potential failures, but Ubisoft did a brilliant job focusing on the needed differences necessary to make this game work as well as it did. While the release of this game may be nearing 13 years old, it is still seen by fans as a favorite and near-perfect addition to the Assassin’s Creed series. Much time has indeed passed, but the legacy Assassin’s Creed III created will last forever. Promotional image for Assassin's Creed III comments debug Comments Write a comment Write a comment Share Your Thoughts Be the first to write a comment. About the Author Hayden is a passionate Freelance Writer based in South Carolina who joined TOWCB's Writing Team in 2020 during the Covid-19 Pandemic, writing articles on all things Assassin's Creed Valhalla. He left the group to focus on studies, joining our Alumni program, but triumphantly returned with fresh ideas in 2024 to pick up where he left off, only this time covering Assassin's Creed Shadows. In 2025, Hayden took on the position of Team Leader for TOWCB's Writing Team, overseeing article releases, assisting with recruitment and providing assistance with internal operations. Hayden Bird

test Share 26 Jan 2018 Written By: Edited By: Louise // TheNerdyArcher Back To Database test comments debug Comments Write a comment Write a comment Share Your Thoughts Be the first to write a comment. About the Author Louise (TheNerdyArcher) is a UK Assassin's Creed community ambassador and former member of The Mentor's Guild and 'Scholars of the Creed' community. She is an Archaeology graduate and passionate historian. By joining TOWCB Writing Team, we aimed to provide her with structured guidance, early access to transmedia, and a platform for her written works. Louise left the program in 2025 to focus on her studies. Louise // TheNerdyArcher

Assassin’s Creed Virtual Photography: 17th to 28th June Community Share 9 Jul 2024 Written By: Edited By: Aaron Young Colum Blackett Back To Database Welcome to the biweekly virtual photography roundup hosted by Aaron Young from the AC Partnership Program. Every two weeks we will be picking our top 5 favourite Assassin’s Creed shots and showcasing them on The Ones Who Came Before website, in order to promote virtual photography and talented content creators within the community. This theme has been run alongside @ UVioletra the fabulous interviewer for @ ThePhotoMode and @ NVIDIAGFN ambassador. Bianca has been a stalwart of the virtual photography community for some time now and can often be found brightening our day with colourful shots in Assassin’s Creed Odyssey. Bianca was also a winner in the 2023 Ubisoft photo mode competition. Keep an eye on the site as more shots are added, we are looking for captures across all Assassin’s Creed games. Tag your photos to #ACFirstCivVP for a chance to be featured. Theme: Colourful Summer Vacation Game: Assassin’s Creed Odyssey VP Artist: @ _fallenmemory_ The Ones Who Came Before Photo of the Week Judge: @ UVioletra Bianca This photography beautifully captures the essence of grace and beauty. The delicate embrace of the vibrant purple flowers surrounding Kassandra provides a sense of comfort and tranquillity. Despite the visible scars on her body, Kassandra’s unwavering resilience and inner strength radiate through the image. Her serene smile conveys a profound sense of peace and acceptance. Aaron “Tell your boss he can stick it”. Assassin’s Creed Odyssey is probably one of the most colourful in the series and despite the dark undertones of the story it often feels like a happy place. The decision to bring vibrance and humour to the story was brave, especially after the seriousness of Origins. This capture shows the more relaxed side of Kassandra, chilling out on the Greek islands. She is a ferocious warrior but has a heart of gold that has been captured beautifully here. I love how she has been framed by the vibrant flowers, and the choice of outfit makes it seem like Kassandra is on holiday. A truly excellent capture for this week’s theme. Temple of Sekhmet Game: Assassin’s Creed Origins VP Artist: @ summers458 “Let me tell you of him. The legend of Siwa”. The building designs in Assassin’s Creed Origins are incredibly detailed and serve to deliver us an immersive experience. The Temple of Sekhmet which is in Yamu by Lake Mareotis features early in the story as Bayek assists an old friend. This capture has a wonderful composition, showcasing the intricate designs of these awe-inspiring Egyptian structures. The hieroglyphics look amazing, it must have taken the developers ages to dive into this much detail. The colours on show are perfect for the theme adding brightness and joy to an already exceptional construction. Vibrance Game: Assassin’s Creed Origins VP Artist: @ ISnak3I “What a journey I have made”. Assassin’s Creed Origins was the first game to feature a photo mode and allows us to express ourselves in the historical playground of Egypt. It is often stated that the Assassin’s Creed games have a solid photo mode that features a decent number of parameters for us to edit our shots. You can see from this capture that allowing your creative side to take over can produce some radiant virtual photography. I adore how the saturation and contrast have been used here to great effect. The shot is really giving that sun drenched aura, making us feel like we are really there, in the heat of the desert. Sail Away Game: Assassin’s Creed Origins VP Artist: @ SuzuhaBlack “May the Hidden One walk beside you”. The decision to add a navel element to Assassin’s Creed Origins really opened the scope of the map. Not only does the land side of the map live and breath the lives of the people who inhabit it the sea does too. Having people fishing, military boats patrolling, and sea life stalking all adds to the experience. Nick has managed to take quite a remarkable shot of five boats sailing in a row. This must have taken some time to plan or been a huge slice of luck. Either way it is a compelling capture that looks visually stunning. I love the realism of the sea and the blue of the sky, and that inclusion of a camp fire gives us the sense we are sat there watching. Sunset Game: Assassin’s Creed Odyssey VP Artist: @ AkiraAoyama_VP “You promised you would bring him home”. Sunsets and beach walks are the cornerstones of Assassin’s Creed Odyssey, the sense of peace and tranquillity that can be found when in these locations is quite something. I feel like this is not a coincidence and has been developed to have this impact on the player. I don’t think you could wish for a better holiday vibe than this capture. Kassandra is clearly done with all the fighting and ready to put her feet up under that tree. The warmth in this shot is immense and I like how my eye is drawn to look at the sun setting. Once again, the theme has been met in a fantastic manner showing the range of colours in Assassin’s Creed. And that sums it up for this Assassin’s Creed virtual photography recap list! Thank you for checking out the photo collection. This would not be possible without the virtual photographers out there so a huge thanks to them. Until next time keep those shots coming in! comments debug Comments Write a comment Write a comment Share Your Thoughts Be the first to write a comment. About the Author Aaron is a passionate Assassin's Creed fan who joined our AC Partnership Program as an Online Article Writer back in 2021 after the release of Assassin's Creed Valhalla. After building momentum and interest on TOWCB website for Virtual Photography, Aaron established TOWCB Virtual Photography Team, of which he is now Team Leader. Throughout 2024, TOWCB VP Team will be sharing community captures in dedicated articles, and providing a positive environment on Twitter for gamers to share their shots. Aaron Young

Difuzed unveil Assassin's Creed Mirage Merchandise Collection Merchandise Share 17 Jun 2023 Written By: Edited By: Colum Blackett (Col_96) Aaron Young Back To Database Difuzed unveiled their Assassin's Creed Mirage merchandise collection, containing apparel, accessories and collectables. Look out for the items as they make their way to retailers later in the year. Updates Article originally published: June 9th 2023 Updated 17/6/23: Assassin's Creed Mirage socks added Clothing Assassin's Creed Mirage - Men's Zipper Hoodie Feel part of the many generations of assassins that have existed with this Assassin’s Creed hoodie. This sleek black hoodie is made with soft fabric for warmth and comfort. The premium Assassin’s Creed graphic elements are thoughtfully placed for a minimal but sleek look. The Assassin’s Creed logo printed on the chest comes in high-definition rubber, while the larger back print is thinner. You’ll also find a woven damask label stitched on the left sleeve to complete the look. Assassin's Creed Mirage - Men's Zipper Hoodie Transport yourself to medieval Baghdad every time you wear this Assassin’s Creed hoodie. The soft cotton blend material will keep you comfortable and warm during the chilly weather. But it’s the sleek Assassin’s Creed Mirage elements that are the highlights of this gaming merch. On the front, you’ll find a sleek high-definition rubber print of the Assassin’s Creed symbol. On the back, there’s a matching character art of Assassin’s Creed Mirage’s protagonist, Basim Ibn Ishaq, in a tonal thin rubber print. There’s also a woven logo stitched on the left sleeve for a cool extra detail. Assassin's Creed Mirage - Snake - Men's Short Sleeved T-shirt Assassin’s Creed fans are all waiting for the upcoming game trilogy and this Assassin’s Creed t-shirt is the perfect way to show support! Fellow fans will immediately recognize the graphic elements on this gaming t-shirt, which features a high-definition rubber print of the Assassin’s Creed symbol and screen-printed graphic art element from the Assassin’s Creed Mirage game. The large print on the back matches the chest print. Assassin's Creed Mirage - Spider Scorpion & Eagle - Men's Short Sleeved T-shirt This Assassin’s Creed t-shirt will be the perfect addition to your gaming merch collection. Made with 100% cotton, it’s comfortable and comes in a trendy beige color that will be easy to mix and match with anything in your closet. The front features a high-definition graphic rubber print of the Assassin’s Creed logo on the front chest, along with a tonal screen print of game elements from the Mirage sequel. A larger screen print of the Assassin’s Creed logo can also be found on the back of this gaming t-shirt. Assassin's Creed Mirage - Men's Hero Item Hoodie Assassin's Creed Mirage - Blade - Men's Short Sleeved T-shirt Assassin's Creed Mirage - Men's Short Sleeved T-shirt Are you ready for the latest Assassin’s Creed installment? Not until you have this sleek Assassin’s Creed t-shirt! The eye-catching front graphic element is made with a high-definition rubber print, and features Assassin’s Creed iconic logo. The back features a larger graphic art, which is a combination of screen and high-definition prints that are inspired by Assassin’s Creed Mirage’s main hero, Basim Ibn Ishaq. This Assassin’s Creed t-shirt is made with 100% cotton for comfort and durability. Assassin's Creed Mirage - Men's AOP Short Sleeved T-shirt Make a fashion statement while showing off your love for gaming when you wear this trendy Assassin’s Creed t-shirt. The trendy navy blue 100% cotton material is both comfortable and flattering. The t-shirt comes with a cool all-over print featuring the iconic Assassin’s Creed symbol. There’s also a woven logo stitched on the left sleeve with the Assassin’s Creed symbol. Assassin's Creed Mirage - Eagle - Men's Short Sleeved T-shirt Show your love for one of the best action adventure video games ever made with this Assassin’s Creed t-shirt. Made with comfortable 100% black cotton, you’ll feel comfortable while showing your fandom to everyone else. The front features a white screen print of an iconic game element, the eagle, in contrast to the familiar Assassin’s Creed symbol, which appears as a high-definition rubber print on the chest. Assassin's Creed Mirage - Basim - Men's Short Sleeved T-shirt You might already have your pick of favorite Assassin, but don’t close your doors just yet. Basim Ibn Ishaq might have a place in your heart and this Assassin’s Creed t-shirt will be the perfect way to show that. Made with 100% cotton in a trendy navy color, this Assassin’s Creed t-shirt will look good with any outfit, especially with the vibrant front character art of Basim, which is a combination of screen and high-definition rubber prints that gives this gaming t-shirt an elevated premium quality. Accessories Assassin's Creed Mirage - Men's Snapback Caps Assassin's Creed Mirage - Adjustable Caps Assassin's Creed Mirage - Crew Socks (3Pack) Get this great set of three socks inspired by the iconic game. The first pair features a stunning Bleached Sand color, adorned with the classic Assassin's Creed symbol in a darker shade of beige. The second pair comes in a captivating dark blue shade, embellished with an intricate pattern in Vintage Indigo color, showcasing the famous symbol of the game. Lastly, the set includes a pair of sleek black socks, with beige accents on the heel and front of the foot, and a finely knitted artwork on the side, depicting elements from the game. With their stylish design and subtle references to Assassin's Creed, the Mirage socks are the perfect accessory for fans to showcase their love for the legendary gaming series while keeping their feet comfortable and fashionable. Assassin's Creed Mirage - 3D Metal Keychains & Bifold Wallet Are we missing anything? Let us know and we will update the article. We will endeavour to keep this article up to date as more merchandise is announced. comments debug Comments Write a comment Write a comment Share Your Thoughts Be the first to write a comment. About the Author Col is one of the UK's leading Assassin's Creed Community members, and is best known for establishing both 'The Ones Who Came Before' fan community and 'Isu_Network' content creation program. As Team Leader for The Ones Who Came Before, Col was officially recognised by Ubisoft, becoming one the UK Assassin's Creed community ambassadors in 2016. He has attended many events after spending a decade in the AC Community, and has worked on countless projects, all of which you can find here on TOWCB website. He is also a former Ubisoft Star Player and member of The Mentors Guild, two recognisable community programs which opened doors and took his status within the AC Community to the next level. Colum Blackett (Col_96)

Journey to the East: A Review of Assassin’s Creed: The Silk Road Review Share 14 Nov 2023 Written By: Edited By: Michael Smith Colum Blackett Back To Database Ban ner by Thea Marie Rivedal (Moonchildgecko) from TOWCB Art Team. Article contains Amazon affiliate links which support TOWCB. Major spoilers for Assassin’s Creed: The Silk Road. Adventure stories have been a staple in my personal life since I was a child. From the early years of school where I explored the pages of R.L. Stine’s Goosebumps series, to the modern releases from TellTale Games’ The Walking Dead, Batman, and Tales of the Borderlands . I can remember hitting the Dead End or ' You Died' in the middle of a book and rushing back to try and fix my mistake, or starting over to take another path. It’s something that becomes a skill with thinking before a decision that as a gamer, I’ve learned to utilize better in my hobbies and day to day. Being able to choose a path and experience something in a way that only a percentage of other people may have done previously is one of the reasons I still play games to this day. In 2021, Hatchette Heroes announced a new entry in the Assassin’s Creed transmedia line, Le Livre Dont Vous Êtes L’assassin: La Route De La Soie , or in English, The Book Where You are the Assassin: The Silk Road (in short, Assassin’s Creed: The Silk Road). This new interactive novel, written by Mathieu Rivero, puts you in control of the French Assassin, Oisel. His story starts in Chinon, France where Oisel is tasked by his Mentor to travel to Antioch at the start of the historical Silk Road to locate and assist Master Assassin, Basim Ibn Ishaq (protagonist of Assassin’s Creed Mirage ) in investigating a new enemy. It is here that he learns of a branch within the Order of the Ancients called 'The Snake Eaters' and of their plans to take control of the Silk Road to control the trade and wealth that travels across the Eastern World. With the assistance of your close friend Matthias, and additional allies through the story, readers must choose the direction the Assassin follows to defeat this enemy and save The Silk Road from The Order of the Ancients. I waited for a while before I purchased the book as I had hoped that one day, AC: The Silk Road would be released in English. Yet, after a few years I decided to order and take the time to translate the book myself into my native language. Much like Oisel had to adapt to the Arabic and Sogdian languages of the Silk Road, I had to adapt to the French language using the only tool at my disposal, Google Translate. So with my phone and a word document, I spent two months scanning, formatting, and eventually reading AC: The Silk Road . During this time I would “read” the contents of the book and even have to spoil some aspects of the story so that I could better my future self’s experience reading the book. However, with all of the content that I scanned while editing punctuation for English and dividing each paragraph into individual sections for my outline, I didn’t feel that I ruined the overall experience. The day before I started writing this review, I spent an afternoon reading through my first take of the book and ended with one of five endings in the story, reaching what I believe to be the most positive ending, Future Mentor. What that means, I won’t spoil for you but the overall experience was enjoyable and made me feel like I was playing a solo campaign of Dungeons & Dragons . Navigation, Combat, and Tests made decisions for my overall outcome. Choosing which path to navigate through the various points along The Silk Road, planning my attacks in combat against drunkards and members of The Snake Eaters, and performing Tests using the books built in randomizer of icons printed in the corner of each page made this reading of the book and all future readings, unique. Assassin’s Creed: The Silk Road provides plenty of direction on how to read through and interact with the book. During the first two chapters, small sections of red text with the image of a Hidden Blade will explain the mechanics of the book from the mechanics that I shared above; Navigation, Combat, Tests, Obtaining skills and items, and the Appendices. These are embedded in the Paragraph that you are currently reading, or will direct you to a different paragraph to read the text if it was the currently read paragraph is printed after the initial notice. With 198 Paragraphs divided over 5 Chapters and 95 Appendices, there is plenty of content and replayability with the combination of five endings and various choices. On my first playthrough, I interacted with an estimated 100 individual sections and appendices, leaving a lot of text untouched. You are able to track your progress using the included bookmark (which can be reprinted from the publisher’s website). This bookmark provides a “save file” with the front Synchronization section, as well as the boxes for your Stamina, Max Stamina, and Stealth Damage. The back provides space to list the skills and items you have found and a space to lock them in once you have synchronized your progress. Unfortunately for me, I purchased the book second hand and did not receive a bookmark, but the one provided from the website was great, and to be honest I would have printed regardless as I don’t like marking items with my books. Later on in the book readers will find a pair of puzzles that present a challenge which provides not only a change in content, but makes the reader think like a member of the Brotherhood. In my playthrough, I put myself in the shoes of Oisel and thought hard about my options, keeping the tenets of the Brotherhood in mind and how my decisions could change the relationships with those that surround the lead character. The immersive storytelling from Mathieu Rivero made this experience meaningful as I felt joy, sadness, and fear as my tale brought me to the brink of desynchronization multiple times and excitement when I overcame an obstacle. It's a story that I loved so much that I began playing it again with my wife, allowing her to make all the decisions. After reading the first chapter, she was just as excited and wanted to see what would happen next. While she hasn’t finished it yet, I was super excited to see all aspects of Assassin’s Creed (even those outside of the Genetic Memory…) present in this story. Now, as often seen with mass printed media, I hit a few errors in my reading of the book. Two sections from my playthrough directed me to a paragraph that was either an alternative option to a scene I already completed (ie. choosing to train with one person over the other), or to a scene that was not relevant to the text at all. I was able to identify the errors’ correct paragraph (or what I believed it to be) and continue my reading without additional issue. While not game breaking, it was a disruption in my immersion. Yet, I don’t hold this in a negative light as the complex process of publishing such a book can be handled by multiple parties or departments in a company. I also found myself confused at a few points where I was unsure if I was supposed to recover stamina at the start of a new section, or only if a paragraph informed me that I was healed. Luckily for me, at the end of the story with only 2 HP remaining, I was able to finish the story with no further damage. There were also times where I felt the Test mechanic felt one-sided, or easy to manipulate. Each page has symbols of varying success or failure in the lower left or right corner and are used for the Tests by flipping through the book and stopping at a random page to get your symbol and gather the outcome from the text based on that. My wife said that she felt she could remember by feel, where an Eagle was (the highest success) and could potentially aim for this each time. Yet, I would watch her try, and end up “rolling” a Snake instead (the highest failure). However, this mechanic works for the book and can make the action scenes have an intensity to them when you are trying to roll a combat move multiple times and watch your health, or the opponents fall quickly. One of the unique aspects of the experience I had with this book was that I learned of the author, Mathieu Rivero’s work as a translator. Reaching out to him on the fact that I was translating his book opened a conversation which gave me the opportunity to ask a few questions about the book and his process. In a short back and forth over a few days, I asked the following and have provided his answers to highlight his experience with AC: The Silk Road . What were some of the challenges you had with writing an Assassin’s Creed adventure novel? When you talk about challenges for writing an AC novel, I’m reading “IP complications”. While writing for an IP is undeniably difficult, it also brings its own niceties. What’s difficult, and daunting, is the sheer amount of pre-existing material. I’ve scoured the AC fan wikis in search of many things and, whenever you’re talking about such things as an IP, there are legacies to consider. I wanted to incorporate the social element of AC, and that translates to the Antioch market, whereas the stronghold is all about infiltration. Each sequence is centered about one specific part of the AC experience that I wanted to put in the game. Sadly there’s no crafting and no min-maxing and some of the goofy AC humor isn’t there (while there are a few places where it gets lighthearted). Of course Ubisoft had its own agenda, and told me a few select details that should or should not be there. Overall I would say that while it gives you a humongous set of constraints, it has the benefits of bringing its own universe, its tropes, and constraint breeds creativity, that’s for sure! Did you use any reference materials for the story, such as books about the Silk Road? If so, would you share what you used for those that want to read more about the time period? Weirdly, I did not buy any books for this. I’ve always been a history buff, and the first novel I finished writing was about the Arabian Nights (not available in English, sorry, though the title would translate as 'Of Night and Gold'). So let’s say I already had a headstart when I started designing the story. However, I vividly recall spending evenings reading websites about the Silk Road, about power struggles in the area, about the dialects that were used at the time or trying to figure out how to describe Antioch the way it was, geographically. For Antioch, for instance, I had to look at the maps of the ruins, figure out where it would sit on Google Maps, and then make a mental picture of how the arrival would look like – all that for a puny sentence or two that probably no one cares about or would notice. I like research, but I’m in the camp of calling a spade a spade, and fiction can and should stray from reality at times. There are a few gaps in the book, and some historians might pursue me with a pitchfork… one day, when they read the book. Also I did not want historical accuracy [to] make things feel foreign and pull readers out of the experience. Were there any mechanics or content that you wanted to write about that didn’t get published? The way we worked with Ubisoft (and Hachette, the publisher of the book) was very helpful in not having cut content. First I did a test – which became the Chinon prologue, with some editing, and a grand plan, a structure and a game design document for the entire novel, so that Ubisoft would approve me writing stuff. Then I proceeded to work on the book and then submitted everything back to Ubisoft. They had a few nitpicks with some scenes, thought one of the endings needed some more love, so I touched up whatever needed to be touched up. With my publisher at Hachette, we had defined a certain scope that we did not want to go past, and I did go a little bit overboard. Not too much, though. I had not foreseen the endings would take as much work as they did! So no, no cut content per se. I scrapped a bunch of things to streamline a few moments, but rarely did our plan fail! Was the Silk Road story your decision, or was it pitched to you by Ubisoft? Ubisoft approached one of their former employees, who knew a publisher with whom I had spoken about adventure books, a few years back. My name was submitted unbeknownst to me, and I was contacted by Hachette. As mentioned above, Ubisoft had their own agenda and they wanted the story to happen around the Silk Road, they wanted a Basim cameo (why, of COURSE!) and they also wanted to have a male Hidden One named Oisel (old French for Bird). They wanted him to be of a mixed ethnicity, and the year 850 mark is perfect for that – the Moors had invaded, so a deserter could have had a child. That also helped come up with the excuse for Oisel speaking – kinda – French, Arabic, the dialects of Central Asia, and Chinese. They had an idea about an open world but clearly that was not possible (unless we did a choose your own adventure encyclopedia) in book form so we settled for a few select vignettes. I brought them the entire arc, what I wanted to do with Oisel (and Matthias), and they were on board with that. Having a somewhat canon ending meant the end could not go too far. We had to have a specific direction and a fixed end point. If you were to write another adventure book, would you write a sequel to this story, or would you visit another period and location? I’m not opposed to writing another adventure book. I’m handling a few different projects and writing books as your day job is a tough one, so I’ve dialed this back a bit. I’ve pitched something else to Hachette but they weren’t too much into it (it was a rogue like dating sim adventure book. Do what you want of this weird piece of information). I have other ideas, like an adventure book on a diviner with abilities to foresee pieces of the future. What I like most about this type of game is the involvement a player can have in the story, how emotionally invested you can be. I want to try experimental stuff. I have other things cooking but I can’t talk about them at the moment as they haven’t been announced, but it’s more on the side of board games than books. Writer's Commentary My time reviewing books for Assassin’s Creed has provided me with great insight to the authors that are building the future of the series. While we wait through the development process of each video game, the transmedia for the series is where I believe we will find the most world building and viewpoints of the global Assassins that lived in the timeline of Assassin’s Creed . Mathieu has opened a door for a new format that I would love to see continue with the transmedia, more adventure books with different characters and time periods that while the outcome could not be considered canon, the overall story could be. When I explain the lore of AC: The Silk Road , I would inform of the challenges the Assassin’s Brotherhood had with the Snake Eaters along the Silk Road in the 9th Century, but that the character lore should be considered “unverified” (when speaking in a historical sense) as everyone would be able to tell their own story, or what they believe happened. It's an opening for fun conversation and similar “this is what I did” moments that I love seeing from the games. If I was to suggest a new story for this, I would love to see either a sequel to this book with references to The Silk Road , or maybe a story that is based in a time of war such as WWII due to the amount of history and stories that have come from those periods that could be adapted for an adventure story. Assassin’s Creed: The Silk Road is available in physical format online for anyone to purchase. I made my purchase via Amazon, and we will share an affiliate link at the bottom of this article if you would like to purchase a copy for yourself. While the book is in French only, I would still suggest this book to anyone that wants a new avenue for the AC series and maybe one day we will see an English option from Hatchette Heroes. We would like to say a big thank you to Mathieu for joining us for this interview! Amazon Affiliate Link comments debug Comments Write a comment Write a comment Share Your Thoughts Be the first to write a comment. About the Author Mike Smith is a collector of all things Assassin's Creed and a major supporter of transmedia who joined TOWCB as a writer from 2021 - 2024 With nearly a full library of Assassin's Creed media, his work explored the universe in order of Genetic Memory. Notably, his Assassin's Creed Timeline became an essential tool for fans of the franchise looking to complete their collection and consume AC media in a particular order. Michael Smith